Name: Guitare & orchestre
Start: 2024-11-06T00:00:00.000Z
End: 2024-11-07T00:00:00.000Z
Location: Victoria Hall

Admin

Orchestre de la Suisse Romande

Conductor

Ana María Patiño-Osorio

Orchestra

Instrumentalist

Pablo Sainz Villegas

Guitar

Guitare & orchestre

Geneva

Switzerland

Victoria Hall

Lausanne

Théâtre de Beaulieu

Guitare & orchestre:    Masquerade, Clyne  (+2 more)

Public

Concert

Oratorio / Orchestral

Masquerade

Concierto de Aranjuez

Symphony No. 8 in G Major, op. 88

Teja Boyidi

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Soprano

Singer

Mezzo-soprano

Countertenor

Bass-baritone

Baritone

Tenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

In 2013, English composer Anna Clyne received a special commission to open the famous Last Night of the Proms in London, with the Masquerade Overture, which draws inspiration from the outdoor music played in 18th-century London parks. Clyne uses a lavish orchestra to conjure images of masked revelry and the extravagant ambiance of such grand gatherings. As the sonorous waves swell from the orchestra pit, keen listeners may catch echoes of Juice of Barley, an old Irish country dance song. Composed in 1940 and distinctly neoclassical, Joaquin Rodrigo’s Concerto d’Aranjuez conjures a dreamlike Spain to help forget the horrors of the Civil War that preceded World War II. His slow movement has traversed the globe in various arrangements. Dvorák’s Symphony No. 8, with its themes reminiscent of folk music, stands as a genuine anthem to Bohemia, creating an irresistible atmosphere of exaltation and peace.

English

Commandée à la compositrice anglaise Anna Clyne en 2013 pour ouvrir la fameuse Last Night of the Proms de Londres, l’Ouverture Masquerade s’inspire des musiques de plein air jouées dans les parcs londoniens au XVIIIe siècle. Elle utilise un riche orchestre évoquant les déguisements masqués et le décor grandiloquent de tels rassemblements. À travers les grandes houles de l’orchestre on peut reconnaître, Juice of Barley, une vieille danse country irlandaise. Composé en 1940 et résolument néo-classique, le Concerto d’Aranjuez de Joaquin Rodrigo évoque une Espagne de rêve pour faire oublier les horreurs de la Guerre civile préludant la Seconde Guerre mondiale. Son mouvement lent a fait le tour du monde dans toutes sortes d’arrangements. Avec ses thèmes proches de la musique populaire, la Symphonie N° 8 de Dvorák est un véritable hymne à la Bohême dans un irrésistible climat d’exaltation et de paix.

français

Guitare & orchestre by Clyne, Rodrigo, Dvořák, Nuo (2024/2024), Dirigentas Ana María Patiño-Osorio, Victoria Hall, Geneva, Switzerland

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