Name: Grigory Sokolov
Start: 2024-02-18T00:00:00.000Z
End: 2024-02-18T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Teatro Maestranza

Strumento

Grigory Sokolov

Keyboard

Harpsichord

Pianista

Piano

Siviglia

Spagna

Teatro de la Maestranza

Sala Principal

Grigory Sokolov: Recital Various

Public

Recital

Concerto

4 Duettos, BWV 802-805

Partita in C minor, BWV 826

4 Mazurche op. 30

3 Mazurche op. 50

Waldszenen, op. 82

Approvato

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione d'orchestra

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Off-Stage Artist

On-Stage Artist

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso

Cantante

Soprano

Controtenore

Tenore

Contralto

Mezzosoprano

Basso-baritono

Baritono

Alto

Mimi

Narrazione

Voce bianca

#Sokolov #sevilla #piano Fecha: 18 de febrero, 19h. www.teatrodelamaestranza.esHay prodigiosos virtuosos del piano. Hay concertistas emocionantes. Y luego es...

Grigory Sokolov: 4 Duettos, BWV 802-805 Bach, J. S. (+4 More)

La experiencia Sokolov

Hay prodigiosos virtuosos del piano. Hay concertistas emocionantes. Y luego está… Sokolov: carismático, colosal, magnético. Crecido frente a un teclado, el ruso Grigory Sokolov asombró al jurado del Concurso Internacional Chaikovski de 1966 ganando el primer premio. Tenía 16 años y su primer partidario, como presidente de aquel jurado, fue nada más y nada menos que otra leyenda del pianismo ruso: Emil Gilels.

Sokolov solo interpreta la música que ama, siempre en vivo y rara vez en estudio. No suele anticiparla con demasiada antelación a los teatros y auditorios que lo contratan, de modo que sus espectadores suelen adquirir los tickets de sus conciertos como quien se aventura a una cita a ciegas, lo que convierte a sus recitales en un encuentro tan entregado y expectante que roza, musicalmente, la mística. A partir de su portentosa precisión técnica, Sokolov extrae una dimensión espiritual y sonora inédita en recitales a los que se entrega con una devoción sorprendente alargándolos con la generosidad de regalarnos media docena de propinas. Su teclado, más que sobriamente perfecto, vibra de una forma sorprendentemente orgánica, celular, y nunca tan robusta como para que no percibamos el fluir de las notas y los intersticios de silencio que se ocultan tras ellas. Su “sacerdotal” entrega a la música, su negativa a entrar en estudios de grabación, su rechazo a conceder entrevistas -hasta el punto de que en un documental sobre su figura, elocuentemente titulado Sokolov, una entrevista imaginaria, el protagonista del filme no realiza declaración alguna, lo han convertido en una figura extravagante.

El pianista más codiciado de la escena vuelve a Sevilla. Aunque ya lo hayan visto, ustedes saben que un concierto de Grigory Sokolov nunca se parece a otro, aunque solo sea porque la tanda de generosas propinas que suele regalar constituyen una especie de imprevisible concierto extra. Pocos músicos comparten en escena semejante amor y pasión por la música. Déjese invadir por ella.

español

The Sokolov experience

There are prodigious piano virtuosos. There are exciting soloists. And then there's… Sokolov: charismatic, colossal, magnetic. Grown up in front of a keyboard, the Russian Grigory Sokolov astonished the jury of the 1966 International Tchaikovsky Competition by winning first prize. He was 16 years old and his first supporter, as president of that jury, was nothing more and nothing less than another legend of Russian pianism: Emil Gilels.

Sokolov only performs the music he loves, always live and rarely in the studio. He does not usually anticipate it too far in advance to the theaters and auditoriums that hire him, so that his spectators usually buy the tickets for his concerts like someone who ventures on a blind date, which makes his recitals such a dedicated and expectant encounter. that touches, musically, mysticism. From his prodigious technical precision, Sokolov extracts an unprecedented spiritual and sound dimension in recitals to which he gives himself with surprising devotion, extending them with the generosity of giving us half a dozen tips. His keyboard, more than soberly perfect, vibrates in a surprisingly organic, cellular, and never so robust that we do not perceive the flow of the notes and the interstices of silence that are hidden behind them. His "priestly" dedication to music, his refusal to enter recording studios, his refusal to grant interviews -to the point that in a documentary about him, eloquently titled Sokolov, an imaginary interview, the protagonist of the film does not carry out any statement, they have turned him into an extravagant figure.

The most coveted pianist on the scene returns to Seville. Even if you've already seen it, you know that one Grigory Sokolov concert is never like another, if only because the batch of generous tips he usually gives out constitutes a kind of unpredictable bonus concert. Few musicians share such a love and passion for music on stage. Let yourself be invaded by it.

English

Grigory Sokolov by Bach, J. S., Chopin, Schumann, Da (2024/2024), Teatro de la Maestranza, Siviglia, Spagna

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