Name: Floria Tosca
Start: 2022-02-10T00:00:00.000Z
End: 2022-02-10T00:00:00.000Z
Location: Samara Academic Theatre of Opera and Ballet

Organization

Conductor

Alexander Anisimov

Stage director

Yuri Alexandrov

Set designer

Vyacheslav Okunev

Chorus master

Olga Safronova

Lighting designer

Irina Vtornikova

Stage Director’s Assistant

Tatyana Karpacheva

Libretto

Luigi Illica

Giuseppe Giacosa

Samara Academic Theatre of Opera and Ballet

italština

Floria Tosca

Samara

Russia

Floria Tosca: Tosca Puccini

Public

Tosca

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Contralto

Baritone

Bass-baritone

Tenor

Bass

Soprano

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Tosca, a bloody story of love and jealousy during the Napoleonic Wars, was based on the deafeningly successful French play by Victorien Sardou, starring legendary actress Sarah Bernhardt as Floria Tosca. Today the play is forgotten, but everyone knows the opera, and this is the merit of music. Puccini works on the listener's emotions with unerring, almost manipulative precision. We even forgive him for the gap in the rapid pace of events, which he was forced to make at the request of the first performer of the role of Tosca, adding the aria "Vissi d'arte", in which the soprano tries in vain to reach heaven.

The last romantic of Italian opera, Giacomo Puccini (1858–1924) himself lived a life worthy of a libretto character. As an eighteen-year-old boy, he walked 20 kilometers to Pisa to listen to Verdi's Aida, and after that he decided to become an opera composer by all means. And he became him, and gained immense popularity, and became rich. He loved cards and fast cars, had romances with singers and was the talk of the town among critics for his too bright and catchy work. Puccini created only twelve operas, but a third of them are on everyone's lips: La Boheme, Tosca, Madame Butterfly, Turandot.

The current production of Tosca at SATOB is already the sixth in a row: the opera was staged here in 1933, 1941, 1950, 1963 and 1982. In the first half of the 20th century, it was run here under the original author's name. Since the 1963 production by director Georgy Gelovani and conductor Savely Bergolts, this opera has been listed on Kuibyshev and Samara posters as Floria Tosca, following the practice of Leningrad theaters. At the beginning of his career, in 1982, "Tosca" in our theater was designed by set designer Vyacheslav Okunev - it was a performance by Alexander Tumilovich and Lev Ossovsky. Three decades later, Okunev, already a People's Artist of Russia, returned to Samara to work on the same opera, this time in a different production.

English

Floria Tosca by Puccini, Od (2022/2022), Režie Yuri Alexandrov,, Dirigent Alexander Anisimov, Samara Academic Theatre of Opera and Ballet, Samara, Russia

Výkonnostní kredity (Obsazení a tým )

Osádka

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény