Name: Flavio
Start: 2023-09-07T00:00:00.000Z
End: 2023-09-17T00:00:00.000Z
Location: Markgräfliches Opernhaus

Organization

Bayreuth Baroque Opera Festival

Conductor

Benjamin Bayl

Stage director

Max Emanuel Cencic

Set designer

Helmut Stürmer

Costume designer

Corina Gramosteanu

Soprano

Julia Lezhneva

Emilia

Countertenor

Guido

Mezzo-soprano

Yuriy Mynenko

Vitige

Rémy Brès-Feuillet

Flavio

Bass-baritone

Sreten Manojlovic

Lotario

Tenor

Fabio Trümpy

Ugone

Cembalo

Singer

Filippa Kaye

Lady-in-waiting

Concerto Köln

Monika Jägerová

Teodata

Lighting designer

Romain de Lagarde

Others

italià

Bayreuth

Germany

Markgräfliches Opernhaus

Public

alemany

anglès

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Flavio Händel

Artistic Operations Director

Georg Lang

The Bayreuth Baroque Opera Fesival opens up its fourth edition with George Frideric Handel’s dramma per musica Flavio, Re de’ Longobardi, a piece that has been performed all too rarely until now. As music drama, Handel broke new ground with this work: it is relatively short, and the form of opera seria is creatively and inventively enriched with subtle comedy and elements of satirical parody – forged in highly emotional and powerfully expressive theatre music. It is all the more astonishing that the opera premiered in 1723 in London is among Handel’s least known works, also in the twenty-first century.

The plot takes us into the court of the Lombard king Flavio, who plays off his counsellors Ugone and Lotario one against the other in order to assuage his passion for Ugone’s daughter Teodata. The elders’ conflict is a problem first and foremost for the younger generation: Ugone’s son Guido, who wants to marry Lotario’ daughter Emilia, and Teodata herself, who is involved in a secret relationship with the adjutant Vitige.

With stage direction by Max Emanual Cenci – who also takes on the role of Guido – we can look forward to brilliant performances by the Bayreuth debutant Rémy Brés-Feuillet in the title role, besides fixed stars of the Festival including Julia Lezhneva, Yuriy Mynenko, Sonja Runje and Sreten Manojlović. They will be accompanied by this year’s Orchestra in Residence, Concerto Köln under Benjamin Bayl

English

Das Bayreuth Baroque Opera Festival eröffnet seine vierte Ausgabe mit Georg Friedrich Händels bis heute viel zu selten aufgeführtem Dramma per musica Flavio, Re de’ Longobardi. Händel ging mit diesem Werk musikdramaturgisch neue Wege: Es ist verhältnismäßig knapp gehalten, und die Form der ernsten Oper wird durch subtile Komik und parodistisch-satirische Elemente kreativ und erfindungsreich bereichert – gegossen in hochemotionale und ausdrucksstarke Theatermusik. Umso erstaunlicher, dass die 1723 in London uraufgeführte Oper auch im 21. Jahrhundert zu Händels unbekanntesten Bühnenwerken zählt.

Die Handlung führt uns an den Hof des Langobardenkönigs Flavio, der seine beiden Ratgeber Ugone und Lotario gegeneinander ausspielt, um seine Leidenschaft für Ugones Tochter Teodata stillen zu können. Der Konflikt der Alten belastet vor allem die junge Generation: Ugones Sohn Guido, der Lotarios Tochter Emilia heiraten soll, und eben Teodata, die ein heimliches Verhältnis mit dem Adjutanten Vitige verbindet.

In der Regie von Max Emanuel Cencic, der auch die Rolle des Guido übernehmen wird, brillieren Bayreuth-Debütant Rémy Brés-Feuillet in der Titelpartie neben Fixsternen des Festivals wie Julia Lezhneva, Yuriy Mynenko, Sonja Runje und Sreten Manojlović. Begleitet werden sie vom diesjährigen Residenzorchester Concerto Köln unter Benjamin Bayl.

Deutsch

Flavio by Händel, De (2023/2023), Dirigit per Max Emanuel Cencic,, Director musical Benjamin Bayl, Markgräfliches Opernhaus, Bayreuth, Germany

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