Name: Faust
Start: 2024-05-22T00:00:00.000Z
End: 2024-06-02T00:00:00.000Z
Location: Wiener Staatsoper

Organization

Wiener Staatsoper

Stage director

Frank Castorf

Conductor

Bertrand de Billy

Lighting designer

Lothar Baumgarten

Costume designer

Adriana Braga Peretzki

Set designer

Aleksandar Denić

Dramaturge

Ann-Christine Mecke

Singer

Tenor

Piotr Beczała

Faust

Soprano

Nicole Car

Marguerite

Baritone

Stefan Astakhov

Valentine

Jusung Gabriel Park

Wagner

Mezzo-soprano

Patricia Nolz

Siebel

Monika Bohinec

Martha Schwertlein

Orchestra

Orchester der Wiener Staatsoper

Staatsoper Stuttgart

Others

Chor der Wiener Staatsoper

Video designer

Martin Andersson

Bass

Adam Palka

Mephistopheles

Vienna

Austria

Faust Gounod

Public

Private

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Old Faust is tormented less by the question of "what holds the world together at its core" than by his longing for love and youth.

Méphistophélès, less an intellectual "principle of negation" than a devilishly attractive magician, draws his attention to Marguerite - and Faust is delighted. A deal is quickly struck: the devil serves Faust on earth, and after Faust's death it is to be the other way around. Marguerite is also not unimpressed by what Méphistophélès has to offer: material luxury and sensual pleasure, often musically illustrated by Gounod with a waltz. But the relationship between Faust and Marguerite remains an episode, as Faust is drawn to new attractions, while Marguerite remains pregnant, only to see her unfaithful lover kill her brother.

English

Den alten Faust quält weniger die Frage, »was die Welt im Innersten zusammenhält«, als die Sehnsucht nach Liebe und Jugend.

Méphistophélès, weniger intellektuelles »Prinzip der Negation« als teuflisch attraktiver Magier, macht ihn auf Marguerite aufmerksam – und Faust ist begeistert. Rasch steht ein Deal: Der Teufel dient Faust auf Erden, nach Fausts Tod soll es umgekehrt sein. Auch Marguerite bleibt nicht unbeeindruckt von dem, was Méphistophélès zu bieten hat: materiellen Luxus und sinnliches Vergnügen, von Gounod häufig mit einem Walzer musikalisch illustriert. Aber das Verhältnis von Faust und Marguerite bleibt Episode, denn Faust zieht es zu neuen Attraktionen, während Marguerite zunächst schwanger zurückbleibt, um dann auch noch zu erleben, wie ihr treuloser Liebhaber ihren Bruder tötet.

Deutsch

Faust by Gounod, Minn (2024/2024), Immexxi minn Frank Castorf,, Surmast Direttur Bertrand de Billy, Wiener Staatsoper, Vienna, Austria

Krediti ta' prestazzjoni (Il-Kast & l-Ekwipaġġ )

Kast

Ekwipaġġ

Ensemble

Ko-Produttur

Programm, Dwar & Sinossi

Vidjows

Ritratti

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