Name: “Extinción: Misa de Batalla y Misa pro defunctis”
Start: 2022-04-12T00:00:00.000Z
End: 2022-04-24T00:00:00.000Z
Location: Teatro de la Abadía

Organization

Stage director

Àlex Serrano

Pau Palacios

Conductor

Javier Ulises Illán

Chorus master

Andrés Máspero

Playwright

Lighting designer

Cube.bz .

Costume designer

Lola Belles

Singer

No role specified

Teatro Real de Madrid

Others

Coro Intermezzo

Orchestra

Nereydas Orchestra

“Extinción: Misa de Batalla y Misa pro defunctis”

Madrid

Spain

Teatro de la Abadía

“Extinción: Misa de Batalla y Misa pro defunctis” Cererols

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Mezzo-soprano

Contralto

Soprano

Bass-baritone

Countertenor

Tenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Although most of the catalogue of Benedictine monk Joan Cererols disappeared in the fire at the abbey of Montserrat that was caused by the French troops during the invasion of 1811, his Misa de batalla –composed in 1648 in honour of Phillip IV– and his Missa pro defunctis –composed three years later as the plague ravaged Barcelona– are testimonies of an artistic craft connected to the concertato style and open to the Baroque influence from Italy and Flanders.  
The scenic proposal Extinción presents a visual dramatization of these works using a staging device of filming in real time: a poetic and visual discourse with    this music via a dramaturgy that unfolds with the use of video cameras, models, objects and live performance filming. Extinción is also a reflection about Extractivism in the 21st century: a productive model of development based on the devastation of the ecosystem where some of the most terrible examples can be found in the coltan mines of the Congo, the burning of natural gas from oil drilling in the ecuadorian Amazonía, the mono-crop cultivation of soybean in the Brazilian savanna “Cerrado”, massive mining in Chile and fracking in the Argentine Patagonia.

English

“Extinción: Misa de Batalla y Misa pro defunctis” by Cererols, Nuo (2022/2022), Režisierius Àlex Serrano, Pau Palacios,, Dirigentas Javier Ulises Illán, Teatro de la Abadía, Madrid, Spain

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