Name: Eötvös 80
Start: 2023-12-14T00:00:00.000Z
End: 2023-12-14T00:00:00.000Z
Location: Béla Bartók National Concert Hall

Organization

Admin

Müpa Budapest

Conductor

Fabian Panisello

Orchestra

Concerto Budapest

Singer

Isao Nakamura

Percussion

Others

Neue Vocalsolisten Stuttgart

Eötvös 80

Budapest

Hungary

Béla Bartók National Concert Hall

Eötvös 80: Triangel Eötvös (+2 More)

Public

Triangel

Introduction and Allegro, M.46

Symphony

Pallavi Pawar

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzo-soprano

Baritone

Bass-baritone

Contralto

Soprano

Tenor

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

"Percussion soloists exist in their own little universes: ones with unique instruments and special techniques for playing them,” says composer Péter Eötvös. "Triangel is composed in such a way as to provide space for these individual creative forces. The ensemble, divided into four groups, reacts to the music coming from the soloist partly with fixed notes and partly spontaneously. This piece explores the improvised cadenza techniques that were an integral part of playing concertos about a hundred years ago.”

Serving as the soloist alongside Concerto Budapest at this concert at Müpa Budapest will be Isao Nakamura, the same percussionist who took on Triangel at its world premiere in 1993. In 1905, Ravel received a commercial commission to compose a work that would showcase the features of the Érard company's newly developed model of harps: this is how Introduction et allegro, sometimes referred to as a mini harp concerto, was born. Listening to the richly coloured piece played by a string quartet, flute, clarinet and harp, one might not even think that writing it literally caused sleepless nights for the composer, who loved to complain about such tribulations. Luciano Berio‘s Sinfonia (composed in 1969 to mark the 125th anniversary of the foundation of the New York Philharmonic) is not without its own pessimistic overtones either: composed for orchestra and eight vocal parts, the piece uses musical quotations to outline an abstract and grotesque cultural history. The sources of the texts (incorporating speech, whispers and shouts) are highly diverse: Claude Lévi-Strauss, Samuel Beckett (excerpts from one of his novels) and Gustav Mahler (performance instructions for a musical score).

English

Eötvös 80 by Eötvös, Ravel, Berio, De (2023/2023), Director musical Fabian Panisello, Béla Bartók National Concert Hall, Budapest, Hungary

Crèdits de representació (Repartiment i equipatge )

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