Name: Elgar | Schubert
Start: 2025-06-19T00:00:00.000Z
End: 2025-06-19T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Admin

Orchestre de Chambre de Paris

Others

Théâtre des Champs-Elysées

Conductor

Tabita Berglund

Cellist

Alban Gerhardt

Cello

Elgar | Schubert

Paris

France

Public

Concert

Cello Concerto in E Minor, Op. 85

Symphony No. 8/7 in B minor D 759 (Unfinished)

Zorahayda Op. 11

Sharan Allad

Approved

Bass

Instrumentalist

Pianist

Violinist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Tenor

Singer

Bass-baritone

Countertenor

Contralto

Soprano

Mezzo-soprano

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Dans sa Symphonie n° 8 (1822), Schubert cherche à conquérir la grande forme tout en s’émancipant du modèle beethovénien. Il s’interrompt au début du « Scherzo », conscient de ne pas se maintenir à la hauteur des pages précédentes. Mais les deux premiers mouvements, émaillés d’éclats aussi saisissants qu’inattendus, suffisent à faire de cette symphonie une œuvre accomplie.

En 1918, la victoire des Alliés stimule la créativité d’Elgar, qui écrit alors plusieurs partitions majeures : son Concerto pour violoncelle, tantôt mélancolique, tantôt véhément ou espiègle, s’est imposé comme l’une des principales œuvres pour violoncelle du XXe siècle. À découvrir : la musique passionnée de Zorahayda (1874) du Norvégien Johan Severin Svendsen, inspirée d’une légende mauresque.

français

In his Symphony No. 8 (1822), Schubert seeks to conquer the grand form while emancipating himself from the Beethovenian model. He stops at the beginning of the “Scherzo”, conscious of not keeping up with the previous pages. But the first two movements, peppered with bursts as striking as they are unexpected, are enough to make this symphony an accomplished work.

In 1918, the victory of the Allies stimulated the creativity of Elgar, who then wrote several major scores: his Cello Concerto , sometimes melancholy, sometimes vehement or mischievous, established itself as one of the main cello works of the 20th century . To discover: the passionate music of Zorahayda (1874) by the Norwegian Johan Severin Svendsen, inspired by a Moorish legend.

English

Elgar | Schubert by Elgar, Schubert, Svendsen, Alkaen (2025/2025), Musiikinjohto Tabita Berglund, Théâtre des Champs-Elysées, Paris, France

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