Name: Don Pasquale
Start: 2024-11-17T00:00:00.000Z
End: 2024-11-30T00:00:00.000Z
Location: Gaetano Donizetti Theater

Admin

Donizetti Opera

Bass

Roberto de Candia

Don Pasquale

Tenor

Javier Camarena

Ernesto

Conductor

Iván López-Reynoso

Others

Coro dell'Accademia Teatro alla Scala

Orchestra

Orchestra Donizetti Opera

Stage director

Amélie Niermeyer

Set designer

Maria-Alice Bahra

Costume designer

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Dustin Klein

Chorus master

Salvo Sgrò

Fondazione Teatro Donizetti

Opéra de Dijon

italų

Bergamo

Italy

Teatro Donizetti

Public

Arshiya Banu

Approved

Gaetano Donizetti Theater

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Spoken

In 1843, Gaetano Donizetti was one of the most celebrated European opera composers and divided his time between Italy, Vienna and Paris. It was here that, on 3 January, his Don Pasquale was performed at the Théâtre-Italien, a Parisian outpost of Italian opera with an exceptional singing company. Donizetti recycled an old libretto written by Angelo Anelli for Stefano Pavesi, Ser Marcantonio, and had it freshened up by a Mazzinian exile, Giovanni Ruffini, but imposing so many changes on him that he was, in practice, a co-author. The libretto was later published anonymously with the initials “M. A.”, which stands for the nominee Michele Accursi, Donizetti’s Parisian factotum. The opera was an immediate success and is one of not many Donizetti titles to have always remained in the repertoire, although in editions that were often heavily tampered with and incorrect. The Donizetti Opera will present, for the first time, the new critical edition edited by Roger Parker and Gabriele Dotto.
In Don Pasquale, Donizetti reworks a very predictable and trivial comic event, already brought to the stage countless times. All the characters are very traditional: the fooled buffo, the viperous primadonna, the sighing tenor, the manoeuvrer baritone. However, Don Pasquale is not only the last masterpiece of the great Italian buffa tradition, but also the first of the new times. Woven with waltzes and galops – the music of its time – this bourgeois comedy looks ironically to the past but is permeated with Romantic lyricism: the moment when Norina slaps Pasquale is almost tragic, and the whole opera lives on a wonderful balance of laughter and tears. The Festival presents it in a staging by the Opéra de Dijon, directed by the renowned German director Amélie Niermeyer, conducted by Iván López Reynoso and featuring two stars of the international opera scene such as Roberto de Candia and Javier Camarena, supported by the young talents of Bottega Donizetti.

English

Nel 1843, Gaetano Donizetti è uno dei più celebri operisti europei e si divide fra l’Italia, Vienna e Parigi. È qui che, il 3 gennaio, fa rappresentare Don Pasquale al Théâtre-Italien, avamposto parigino dell’opera italiana dotato di un’eccezionale compagnia di canto. Donizetti ricicla un vecchio libretto scritto da Angelo Anelli per Stefano Pavesi, Ser Marcantonio, e lo fa rinfrescare da un esule mazziniano, Giovanni Ruffini, ma imponendogli tante e tali modifiche da esserne, in pratica, coautore. Il libretto verrà poi pubblicato anonimo con la sigla “M. A.”, che sta per il prestanome Michele Accursi, factotum parigino di Donizetti. L’opera ebbe subito un immediato successo ed è uno dei non molti titoli donizettiani a non essere mai uscito dal repertorio, sebbene in edizioni spesso pesantemente manomesse e scorrette. Al Donizetti Opera verrà presentata, per la prima volta, la nuova edizione critica a cura di Roger Parker e Gabriele Dotto.
In Don Pasquale, Donizetti rielabora la più scontata e banale delle vicende comiche, già portata sulla scena infinite volte. Tutti i personaggi sono classici: il buffo gabbato, la primadonna viperina, il tenore sospiroso, il baritono maneggione. Però Don Pasquale non è soltanto l’ultimo capolavoro della grande tradizione buffa italiana, ma anche il primo dei tempi nuovi. Intessuta di valzer e galop – le musiche del suo tempo – la commedia borghese guarda ironicamente al passato ma è permeata di lirismo romantico: il momento in cui Norina schiaffeggia Pasquale è quasi tragico, e tutta l’opera vive di un meraviglioso equilibrio fra risate e lacrime. Il Festival la propone in un allestimento dell’Opéra di Dijon, firmato dalla celebre regista tedesca Amélie Niermeyer, diretta da Iván López Reynoso e con due protagonisti della scena operistica internazionale come Roberto de Candia e Javier Camarena, affiancati dai giovani talenti della Bottega Donizetti.

italiano

Don Pasquale by Donizetti, Nuo (2024/2024), Režisierius Amélie Niermeyer,, Dirigentas Iván López-Reynoso, Gaetano Donizetti Theater, Bergamo, Italy

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