Name: Don Pasquale
Start: 2022-12-27T00:00:00.000Z
End: 2023-01-06T00:00:00.000Z
Location: Das Festspielhaus

Organization

Tiroler Festspiele Erl

Stage director

Caterina Panti Liberovici

Set designer

Sergio Mariotti

Costume designer

Raphaela Rose

Lighting designer

Joachim Klein

Singer

Bass

Donato Di Stefano

Don Pasquale

Soprano

Bianca Tognocchi

Norina

Tenor

Brayan Avila Martinez

Ernesto

Baritone

Danylo Matviienko

Doctor Malatesta

Nicolas Legoux

A notary

Dramaturge

Deborah Einspieler

Conductor

Giuliano Carella

Orchestra

Orchester der Tiroler Festspiele Erl

Others

Chor der Tiroler Festspiele Erl

Austria

Das Festspielhaus

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Mezzo-soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Donizetti's references to Carlo Goldoni's characters from the Commedia dell'arte are unmistakable – four characters caricaturing human interaction: the aging Don Pasquale, a real Pantalone character, quirky and unmarried, puts money before everything. He would still like to have a woman by his side in the last spring of his feelings. In addition, Ernesto and Norina cannot get together due to lack of money and are dependent on the help of Pasquale's confidante Doctor Malatesta, who knits his intrigues as a source of ideas and playmaker. Turbulent ensembles and emotional outbursts are flanked on stage by a men's choir until Don Pasquale is left alone. Cured of egoism, he ridicules the evil game of the younger ones with a good face not unlike Falstaff.

Together with Giovanni Ruffini, Gaetano Donizetti worked on the libretto of Don Pasquale under great time pressure and in an at times difficult process. While the librettist referred to the heyday of opera buffa and wanted to hold on to old patterns and forms, the composer pushed for innovations and with this work completes the change from the classic musical form to a new type of buffa, the characters of which encounter each other in an extremely credible manner.

English

Unübersehbar sind Donizettis Referenzen an Carlo Goldonis Figuren der Commedia dell’arte – vier Figuren, die menschliches Miteinander karikieren: Dem alternden Don Pasquale, eine echte Pantalone-Figur, schrullig und unverheiratet, geht das Geld über alles. Eine Frau hätte er im letzten Frühling seiner Gefühle trotzdem gern an seiner Seite. Daneben können Ernesto und Norina aus Geldnot nicht zusammenkommen und sind auf die Hilfe von Pasquales Vertrautem Doktor Malatesta angewiesen, der als Ideengeber und Spielmacher seine Intrigen strickt. Turbulente Ensembles und Gefühlsausbrüche werden auf der Bühne von einem Herrenchor flankiert, bis Don Pasquale schließlich einsam zurückbleibt. Vom Egoismus kuriert, belächelt er Falstaff nicht unähnlich mit guter Miene das böse Spiel der Jüngeren.

Gemeinsam mit Giovanni Ruffini arbeitete Gaetano Donizetti in größter Zeitnot und in einem mitunter schwierigen Prozess am Textbuch des Don Pasquale. Während sich der Librettist auf die Glanzzeit der Opera buffa berufen und an alten Mustern und Formen festhalten wollte, drängte der Komponist nach Neuerungen und vollzieht mit diesem Werk den Wandel von der klassischen musikalischen Form zu einer neuartigen Buffa, deren Personen sich überaus glaubwürdig begegnen.

Deutsch

Don Pasquale by Donizetti, De la (2022/2023), Regizat de către Caterina Panti Liberovici,, Dirijor Giuliano Carella, Das Festspielhaus, Erl, Austria

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