Organization

Cantante

Bajo

Michele Pertusi

Felipe II

Tenor

Jonas Kaufmann

Don Carlos

Barítono

Igor Golovatenko

Rodrigo

Roberto Scandiuzzi

El Gran Inquisidor

Soprano

Malin Byström

Isabel de Valois

Mezzosoprano

Eve-Maud Hubeaux

Princesa de Eboli

Dan Paul Dumitrescu

Un fraile

Virginie Verrez

Tebaldo

Carlos Osuna

El Conde de Lerma

Un heraldo real

Director(a) orquestal

Bertrand de Billy

Director(a) de escena

Peter Konwitschny

Alexander Edtbauer

Escenógrafo(a)

Johannes Leiacker

Diseñador(a) de video

Vera Nemirova

Diseñador(a) de iluminación

Hans Toelstede

Dramaturgia

Werner Hintze

Johanna Wallroth

Una voz del cielo

Diseñador(a) de vestuario/Figurinista

Katie La Folle

Moderatorin

Robert Bartneck

Wiener Staatsoper

francés

Don Carlos (French version) -  (Don Carlos (versión francesa))

Viena

Austria

Don Carlos Verdi

Public

Don Carlos (versión francesa)

alemán

Válido

In view of the outstanding position that Paris was able to claim for itself in the field of music in the 19th century, Verdi attached great importance to his being commissioned to write an opera for the 1867 World Exhibition. At the centre of the events taking place in the second half of the 16th century – Schiller’s »Dramatic Poem« of the same name was used as a model – is the Spanish Crown Prince Carlos. He has an undying love for Elisabeth of Valois, who has been destined to be his wife since childhood, before his widowed father Philip II claims her for himself. This private conflict is exacerbated by a political one: Carlos' demands for the regency of the rebellious Dutch provinces – a fatal situation against the backdrop of the inquisition processes and the power of the Grand Inquisitor. With Don Carlos,Verdi made a significant contribution to the genre of the Grand Opéra, in which private desire for happiness is caught in between the fronts of political and social power struggles. Various difficulties during the rehearsal led to the composer being forced to write numerous revisions against his will before the work had its premiere on 11 March 1867. The current production was released in 2004 under the direction of Bertrand de Billy, who returns to the State Opera to conduct this revival. The original version, which he meticulously reconstructed, also includes passages that Verdi had had to take out in 1867. Director Peter Konwitschny weaves a network of relationships of breathtaking density between the characters.A humorous pantomimic interlude to the ballet music in the third act increases the height of the tragedy in which Konwitschny brings out a utopian moment: He interprets the end of the opera as the composer’s veto against the victory of the authorities hostile to love and life and annuls the realistic coordinates of the plot in favour of Carlos and Elisabeth’s salvation. Assuming the title role, Jonas Kaufmann will interpret a Verdi part for the first time at the Vienna State Opera. The house debuts of Malin Byström as Elisabeth and Eve-Maud Hubeaux as Eboli are also eagerly awaited.Jonas Kaufmann will interpret a Verdi part for the first time at the Vienna State Opera. The house debuts of Malin Byström as Elisabeth and Eve-Maud Hubeaux as Eboli are also eagerly awaited.Jonas Kaufmann will interpret a Verdi part for the first time at the Vienna State Opera. The house debuts of Malin Byström as Elisabeth and Eve-Maud Hubeaux as Eboli are also eagerly awaited.

English

Don Carlos (versión francesa) by Verdi, De (2020/2020), Dirigido por Peter Konwitschny, Alexander Edtbauer,, Director Bertrand de Billy, Wiener Staatsoper, Viena, Austria

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