Name: Die Zauberflöte
Start: 2013-11-09T00:00:00.000Z
End: 2013-11-10T00:00:00.000Z
Location: Anthéa

Organization

Режиссер-постановщик

Peter Brook

Пианист

Vincent Pavesi

Художник по костюмам

Elena Panayotova

Педагог по вокалу

Véronique Dietschy

Художник по свету

Philippe Vialatte

Тенор

Alex Mansoori

Моностатос

Бас

Зарастро

Баритон

Thomas Dolié

Папагено

Сопрано

Betsabee Haas

Папагена

Malia Bendi Merad

Царица ночи

Dina Bawab

Памина

Roger Padullés

Тамино

Anthéa

Les Musiciens du Louvre

Théâtres de la Ville de Luxembourg

Piccolo Teatro di Milano

Barbican Centre

Die Zauberflöte -  (Волшебная флейта)

Антиб

Франция

Public

Private

Волшебная флейта

Одобрено

Die Zauberflöte Mozart

the story
Sarastro, High Priest of Isis and Osiris, kidnapped Pamina, daughter of the Queen of the Night. Tamino, a reckless prince in love with the princess, goes looking for her, accompanied by Papageno the bird catcher. To protect them, the Queen of the Night gives them two talismans against danger: a magic chime and a magic flute... no sooner have the two lovers found each other than they are separated. Desperate, Pamina, already rejected by her mother, must resist the temptation to commit suicide. Then she pulls herself together, and finds Tamino just as he is about to face the ultimate trials. Together, they will emerge victorious. The tale turns into a beautiful love story.

What they say
to be academic with the works seems to me contrary to the very nature of Mozartian art. The idea is to get the singers – young singers – to move forward in a natural, lively and loving way in the unfolding of the plot without imposing projections, constructions, videos or sets that turn... By approaching it in a playful spirit, Mozart reinvents itself at every moment, and it is in this direction, deeply respectful of the essentials, that we are going to work. With this intuition that with Mozart, it is not a question of hiding or modernizing, but of revealing... Peter Brook

what they think
Peter Brook frees Mozart's masterpiece from genre conventions. To bring out the purest emotions from the libretto. Aurélien Ferenczi, Telerama

Freed from a scenography for a big stage and served by singers happy to be so close to the spectators, with whom they are playing, this Magic Flute is of great beauty and makes it possible to reach a different audience. Winner all the way. Eric Libiot, L'Express

English

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