Name: Die Passagierin
Start: 2024-04-30T00:00:00.000Z
End: 2024-05-07T00:00:00.000Z
Location: Ekaterinburg Opera

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Ural Opera Ballet

Conductor

Oliver von Dohnányi

Artem Abashev

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Thaddeus Strassberger

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Victoria Vita Tzykun

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Angelica Grozina

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Nadezhda Malygina

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Ural Opera Ballet Orchestra

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Ksenia Kovalevskaya

Liese

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Evgeny Kryukov

Walter

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Olga Semenishcheva (Peshkova)

Marta

Baritone

Dmitry Starodubov

Tadeusz

Natalia Mokeeva

Katya

Elena Biryuzova

Krzystina

Lyubov Bushkova

Oberaufseherin

Contralto

Vera Pozolotina

Hannah

Tatiana Nikanorova

Bronka

Alexandra Kosternaya

Old Woman

Bass

Alexey Semenischev

1. SS Officer

Vladislav Troshin

2. SS Officer

Olga Vutiras

Yvette

Pavel Mezhov

3. SS Officer

Spoken

Natalya Bragina

Kapo

Artyom Usachev

1. Steward

Singer

Mikhail Morozov

Superintendent

Svetlana Starkova

Female Supervisor

russisk

Die Passagierin -  (The Passenger)

Ekaterinburg

Russia

Ekaterinburg Opera

Die Passagierin Weinberg

Public

The Passenger

Viacheslav Shumov

engelsk

Approved

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hornist

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Harper

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Tenor Violinist

Timpani

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Baroque Flutist

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Violino Piccolo Player

Viola da gamba

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Alto

Continuo

This is "Passenger EKB.mp4" by Opera Info on Vimeo, the home for high quality videos and the people who love them.

M.Weinberg: The Passenger

«Пассажирке» была уготована непростая сценическая судьба. За ее постановку в Советском Союзе безуспешно бился Дмитрий Шостакович. Концертное исполнение оперы в России состоялось лишь в 2006 году. Спустя десятилетие в Екатеринбурге «Пассажирка» впервые вышла на российскую театральную сцену.

1950-е палуба трансатлантического лайнера. Немка Лиза вместе с мужем, дипломатом Вальтером, отплывает в Бразилию. На палубе она замечает пассажирку, похожую на Марту: эта встреча заставляет Лизу вспомнить, как она, будучи надзирателем Освенцима, отправила Марту на верную гибель. Спектакль в Урал Опере сдержан по театральному языку: постановщики деликатно приглашает зрителя к важному разговору — о гуманизме, исторической памяти и ответственности человека за свои поступки.

Композитор Мечислав Вайнберг (1919–1996) широкой публике известен по музыке к «Каникулам Бонифация», «Винни Пуху» и фильму «Летят журавли», но в первую очередь он автор семи опер, 22 симфоний и множества инструментальных сочинений. В «Пассажирке» он причудливо смешивает стили и жанры — плоды «высокой» музыки ХХ века, джаз, фольклор. Опера отчасти напоминает о театральной и киномузыке Шостаковича, которого Вайнберг называл своим учителем, — но и решительно на нее не похожа. Несмотря, на масштаб темы, Вайнберг находит для повествования интимную интонацию: он адресует оперу всему человечеству и обращается персонально к каждому слушателю — справедливо полагая, что поднятые в «Пассажирке» вопросы касаются каждого из нас.

русский

The scenic fate of The Passenger was complex. Dmitry Shostakovich unsuccessfully fought for its production in the Soviet Union. A concert performance of the opera in Russia only took place in 2006. A decade later in Ekaterinburg The Passenger appeared on the Russian theatre stage for the first time in its history.

The opera takes pace on the deck of a transatlantic liner sometime in the 1950s. A German woman named Lisa and her husband Walter, a diplomat, are leaving for Brazil. On the deck of the ship she notices a passenger that looks like a former acquaintance, Martha: this meeting makes Lisa remember how she, serving as a warden in Auschwitz, sent Martha to face certain death. The Ural Opera staging is rather dispassionate in theatrical language: the directors delicately invite the viewer to have an important conversation – about humanism, historical memory and consequences of people’s actions.

The composer Mieczysław Weinberg (1919-1996) is known to the general public for his music for the cartoons Boniface's Vacation, Winnie-the-Pooh and the soundtrack to the film The Cranes Are Flying, but firstly, he is the composer of 7 operas, 22 symphonies and many instrumental compositions. In The Passenger he mixes styles and genres in a fantastic fashion – the great music of the 20th century, jazz, folklore. The opera reminds us of the music written for theatre and cinema by Shostakovich, whom Weinberg called his teacher, but, at the same time, it is very different. Despite the scope of the topic, Weinberg finds an intimate intonation for the narrative: he addresses the opera to the whole of humanity and appeals personally to each listener – rightly believing that the questions raised in The Passenger concern everyone.

English

The Passenger by Weinberg, Fra (2024/2024), Instrueret af Thaddeus Strassberger,, Dirigent Oliver von Dohnányi, Artem Abashev, Ekaterinburg Opera, Ekaterinburg, Russia

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