Name: Die Fledermaus
Start: 2023-12-09T00:00:00.000Z
End: 2023-12-09T00:00:00.000Z
Location: Teatro Real

Organization

Conductor

Marc Minkowski

Chorus master

Xavier Puig

Singer

Tenor

Huw Montague Rendall

Gabriel of Eisenstein

Soprano

Jacquelyn Stucker

Rosalinde

Mezzo-soprano

Marina Viotti

Prince Orlofsky

Magnus Dietrich

Alfred

Baritone

Leon Košavić

Doctor Falke

Kresimir Spicer

Doctor Blind

Alina Wunderlin

Adele

Sandrine Buendia

Spoken

Sunnyi Melles

Frosch

Teatro Real de Madrid

Les Musiciens du Louvre

Others

Cor de Cambra del Palau de la Música Catalana

Orchestra

Palau de la Música Catalana

Die Fledermaus -  (The Bat)

Madrid

Spain

Teatro Real

Sala Principal

Die Fledermaus

Public

Private

The Bat

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Bass

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Llega por primera vez al Teatro Real junto a Marc Minkowski con Les Musiciens du Louvre, una de las operetas vienesas más famosas y conocidas, llena de enredos amorosos, juegos de seducción y cambio de identidades con mucho humor. Esta opereta es una rareza para el compositor, pero muy conocida por su obertura y popurrí de ideas. Es una pieza que no suele faltar en los conciertos de Nochevieja, y con la que Strauss introdujo una novedad en el género tal como se concebía en la época.  

Estrenada en el mismo teatro que viera nacer La flauta mágica más de ochenta años atrás, la tercera y más célebre opereta del «rey del vals» representa acaso —gracias a su libreto de enredos amorosos, infidelidades y travestismos— el pariente decimonónico espiritualmente más próximo al universo mozartiano que conocemos a través de la trilogía Da Ponte/Mozart. Y no solo por el desenfadado esquematismo de la trama, sino especialmente por la luminosa espontaneidad y la contagiosa jovialidad de su partitura, todo un prodigio de inspiración y de elegancia musicales.

La fastuosa fiesta que ocupa el acto central de El murciélago transcurría en el libreto original francés —titulado Le réveillon, de los autores de La bella Helena, Carmen y Manon, nada menos— en la víspera de Año Nuevo. Esta circunstancia explica en parte que, aunque la adaptación alemana no retuvo este dato, la opereta se haya consolidado en los teatros de medio mundo como título favorito de las fiestas navideñas. Experto en estas lides, el director de orquesta francés Marc Minkowski sabrá extraer de esta partitura todo su frívolo encanto.

español

Die Fledermaus comes to the Teatro Real for the first time with Marc Minkowski with Les Musiciens du Louvre, one of the most famous and well-known Viennese operettas, full of amorous entanglements, games of seduction and changing identities with a lot of humour. This operetta is a rarity for the composer, but well known for its overture and medley of ideas. It is a piece that is not usually absent from New Year's Eve concerts, and with which Strauss introduced a novelty into the genre as it was conceived at the time.

Premiered in the same theatre which saw the birth of The Magic Flute eighty years before, the third and most famous opera by the “King of the Waltz” perhaps represents — thanks to an imbroglio of love, infidelity, and transvestism— the 18th century spiritual relative closest to the universe of Mozart that we know in the Da Ponte/Mozart trilogy. In part, it is because of the carefree schematic of the story, but even more so, there is the luminous spontaneity   and contagious joviality of its score, which is a true prodigy of inspiration and musical elegance.

The lavish ball which is central to Act II of Die Fledermaus takes place, in the original French libretto — entitled Le réveillon, by the authors of, none other than, La bella Helena, Carmen and Manon, — on New Year’s Eve.  This circumstance partly explains that, although the German adaptation did not hold on to this fact, the operetta has consolidated a place in the theatres of half the globe as the favourite title during the Christmas season.  An expert in these matters, the French conductor Marc Minkowski will know how to extract all the frivolous charm from this score.

English

The Bat by Strauss II, De (2023/2023), Director musical Marc Minkowski, Teatro Real, Madrid, Spain

Crèdits de representació (Repartiment i equipatge )

Repartiment

Tripulació

Conjunt

Coproductor

Programa, Sobre i Resum

Fotografies

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Dates i llocs d'actuació

Llocs