Name: Der Rosenkavalier
Start: 2014-08-01T00:00:00.000Z
End: 2014-08-23T00:00:00.000Z
Location: Großes Festspielhaus

Admin

Organization

Sångare

Soprano

Krassimira Stoyanova

Die Feldmarschallin Fürstin Werdenberg

Mezzo-soprano

Sophie Koch

Octavian

Mojca Erdmann

Sophie

Silvana Dussmann

Jungfer Marianne Leitmetzerin

Wiebke Lehmkuhl

Annina

Bass

Günther Groissböck

Der Baron Ochs auf Lerchenau

Baritone

Adrian Eröd

Herr von Faninal

Tenor

Kresimir Spicer

Valzacchi

Stefan Pop

Ein Sänger

Tobias Kehrer

Ein Polizei-Unterkommissarius

Martin Piskorski

Der Haushofmeister bei Faninal

Franz Supper

Der Haushofmeister bei der Feldmarschallin

Dirk Aleschus

Ein Notar

Roman Sadnik

Ein Wirt

Franz Gürtelschmied

Ein Tierhändler

Regissör

Harry Kupfer

Kostym designer

Yan Tax

Scenograf

Hans Schavernoch

Dirigent

Franz Welser-Möst

Andreja Zidaric

Erste adlige Waise

Körledare

Ernst Raffelsberger

Ljus designer

Jürgen Hoffmann

Salzburger Festspiele

Others

Konzertvereinigung Wiener Staatsopernchor

Orchestra

Wiener Philharmoniker

tyska

Der Rosenkavalier -  (Rosenkavaljeren)

Salzburg

Österrike

Großes Festspielhaus

As familiar as the work may be, the 150th anniversary of Richard Strauss' birth is marked with an innovation. The festival is being held for the first time, and the opera will be presented without the cuts made since the premiere in 1911, as the censors demanded it for excessive frivolity. The numbers stand out in sharper profile, with the most notable change in the first storyline being Baron Ochs' monologue, which now clearly defines his high position.

The roles are brilliantly cast: Günther Groissböck's singing is "of the finest, with a juicy lightness that gives him an irresistible villainous charm". (morning post)

Krassimira Stoyanova as Marshal "was simply breathtaking with her vocal and dramatic presence, her perfect control of voice and exemplary clarity of pronunciation". (Pivotal Culture)

The veteran Sophie Koch's Octavian is a delightful young nobleman and Mojca Erdmann portrays a confident young bourgeoise who wants to improve herself; together they are "the perfect bouquet dream". (Neue Musikzeitung)

Franz Welser-Möst is the audience's favorite on the stands of the Vienna Philharmonic. "The audience purred. They enjoyed a mesmerizing transparency, a refinement worthy of chamber music". (SZ)

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