Name: Der Rosenkavalier
Start: 2014-08-01T00:00:00.000Z
End: 2014-08-23T00:00:00.000Z
Location: Großes Festspielhaus

Admin

Organization

Śpiewak

Sopran

Krassimira Stoyanova

Marszałkowa, Księżna Werdenberg

Mezzosopran

Sophie Koch

Oktawian

Mojca Erdmann

Zofia

Silvana Dussmann

Panna Marianna Leitmetzer

Wiebke Lehmkuhl

Annina

Günther Groissböck

Baron Ochs Auf Lerchenau

Baryton

Adrian Eröd

Faninal

Tenor

Kresimir Spicer

Valzacchi

Stefan Pop

Tobias Kehrer

Komisarz policji

Martin Piskorski

Majordomus Faninala

Franz Supper

Majordomus marszałkowej

Dirk Aleschus

Ein Notar

Roman Sadnik

Oberżysta

Franz Gürtelschmied

Handlarz zwierząt

Reżyseria

Harry Kupfer

Kostiumy

Yan Tax

Scenografia

Hans Schavernoch

Dyrygent

Franz Welser-Möst

Andreja Zidaric

Pierwsza sierota

Przygotowanie chóru

Ernst Raffelsberger

Reżyseria światła

Jürgen Hoffmann

Salzburger Festspiele

Others

Konzertvereinigung Wiener Staatsopernchor

Orchestra

Wiener Philharmoniker

niemiecki

Der Rosenkavalier -  (Kawaler srebrnej róży)

Salzburg

Austria

Großes Festspielhaus

As familiar as the work may be, the 150th anniversary of Richard Strauss' birth is marked with an innovation. The festival is being held for the first time, and the opera will be presented without the cuts made since the premiere in 1911, as the censors demanded it for excessive frivolity. The numbers stand out in sharper profile, with the most notable change in the first storyline being Baron Ochs' monologue, which now clearly defines his high position.

The roles are brilliantly cast: Günther Groissböck's singing is "of the finest, with a juicy lightness that gives him an irresistible villainous charm". (morning post)

Krassimira Stoyanova as Marshal "was simply breathtaking with her vocal and dramatic presence, her perfect control of voice and exemplary clarity of pronunciation". (Pivotal Culture)

The veteran Sophie Koch's Octavian is a delightful young nobleman and Mojca Erdmann portrays a confident young bourgeoise who wants to improve herself; together they are "the perfect bouquet dream". (Neue Musikzeitung)

Franz Welser-Möst is the audience's favorite on the stands of the Vienna Philharmonic. "The audience purred. They enjoyed a mesmerizing transparency, a refinement worthy of chamber music". (SZ)

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