Name: Der Rosenkavalier
Start: 2014-08-01T00:00:00.000Z
End: 2014-08-23T00:00:00.000Z
Location: Großes Festspielhaus

Admin

Organization

Cantante

Soprano

Krassimira Stoyanova

La Mariscala

Mezzosoprano

Sophie Koch

Octavian

Mojca Erdmann

Sophie

Silvana Dussmann

Marianne Leitmetzerin

Wiebke Lehmkuhl

Annina

Bajo

Günther Groissböck

Barón Ochs

Barítono

Adrian Eröd

Faninal

Tenor

Kresimir Spicer

Valzacchi

Stefan Pop

Cantante Italiano

Tobias Kehrer

Un comisario de policía

Martin Piskorski

Mayordomo de Faninal

Franz Supper

Mayordomo de la Mariscala

Dirk Aleschus

Ein Notar

Roman Sadnik

Posadero

Franz Gürtelschmied

Vendedor de animales

Director(a) de escena

Harry Kupfer

Diseñador(a) de vestuario/Figurinista

Yan Tax

Escenógrafo(a)

Hans Schavernoch

Director(a) orquestal

Franz Welser-Möst

Andreja Zidaric

1. Huérfana

Director(a) coral

Ernst Raffelsberger

Diseñador(a) de iluminación

Jürgen Hoffmann

Salzburger Festspiele

Others

Konzertvereinigung Wiener Staatsopernchor

Orchestra

Wiener Philharmoniker

alemán

Der Rosenkavalier -  (El Caballero de la Rosa)

Salzburgo

Austria

Großes Festspielhaus

As familiar as the work may be, the 150th anniversary of Richard Strauss' birth is marked with an innovation. The festival is being held for the first time, and the opera will be presented without the cuts made since the premiere in 1911, as the censors demanded it for excessive frivolity. The numbers stand out in sharper profile, with the most notable change in the first storyline being Baron Ochs' monologue, which now clearly defines his high position.

The roles are brilliantly cast: Günther Groissböck's singing is "of the finest, with a juicy lightness that gives him an irresistible villainous charm". (morning post)

Krassimira Stoyanova as Marshal "was simply breathtaking with her vocal and dramatic presence, her perfect control of voice and exemplary clarity of pronunciation". (Pivotal Culture)

The veteran Sophie Koch's Octavian is a delightful young nobleman and Mojca Erdmann portrays a confident young bourgeoise who wants to improve herself; together they are "the perfect bouquet dream". (Neue Musikzeitung)

Franz Welser-Möst is the audience's favorite on the stands of the Vienna Philharmonic. "The audience purred. They enjoyed a mesmerizing transparency, a refinement worthy of chamber music". (SZ)

Fotografías