Name: Der Rosenkavalier
Start: 2022-10-14T00:00:00.000Z
End: 2022-11-20T00:00:00.000Z
Location: Anhaltisches Theater

Organization

Soprano

Iordanka Derilova

Die Feldmarschallin Fürstin Werdenberg

Mezzo-soprano

Sylvia Rena Ziegler

Octavian

Ania Vegry

Sophie

Cornelia Marschall

Jungfer Marianne Leitmetzerin

Tenor

David Ameln

Valzacchi

Rita Kapfhammer

Annina

Regisseur

Michael Schachermaier

Dirigent

Markus L. Frank

Set designer

Karl Fehringer

Judith Leikauf

Dramaturg

Felix Losert

Kostuum ontwerper

Jessica Rockstroh

Koor meester

Sebastian Kennerknecht

Bass

Michael Tews

Der Baron Ochs auf Lerchenau

Baritone

Kay Stiefermann

Herr von Faninal

Jeff Martin

Claudius Muth

Ein Notar

Alexander Nikolić

Der Haushofmeister bei der Feldmarschallin

Alexander Dubnov

Der Haushofmeister bei Faninal

Costa Latsos

Ein Sänger

Rafal Bartkowiak

Ein Gelehrter

Gerit Ada Hammer

Drei adelige Waisen

Anne Weinkauf

Yirin Kim

Ein Polizei-Unterkommissarius

Dorislava Kuntscheva

Ein Tierhändler

Cezary Rotkiewicz

Dessen Gehilfe

Erste adlige Waise

Zweite adlige Waise

contralto

Dritte adlige Waise

Zanger

Chang Hyun Kim

Field Marshal

Christian Most

Adam Fenger

Filippo Deledda

Tomasz Czirnia

Jerzy Dudicz

Stephan Biener

Erster Kellner

Anhaltisches Theater Dessau

Others

Extrachor des Anhaltischen Theaters

Opernchor des Anhaltischen Theaters Dessau

Duits

Der Rosenkavalier -  (De Rozenkavalier)

Dessau

Duitsland

Anhaltisches Theater

Großes Haus

Der Rosenkavalier Strauss,R

Public

De Rozenkavalier

Approved

Komödie für Musik in drei AufzügenMusik von Richard Strauss, Text von Hugo von HofmannsthalIn deutscher Sprache mit zusätzlichen Übertiteln»Ist ein Traum, ka...

"It's a dream, can't really be" - this quote from the final trio can also be used as the motto of the opera. Hofmannsthal succeeded in telling a story about leaving youth in a cheerful, melancholic tone. He set the action in a dreamy Vienna of Mozart's time, for which he invented numerous details with great imagination - such as that supposedly noble custom that the groom had to have the bride handed a silver rose by a cavalier. Consequently, Mozart admirer Strauss did not make the historically correct minuet, but the Viennese waltz of the 19th century the musical symbol of this half-fictional, half-nostalgically reconstructed world and created one of his most touching works.

Vienna at the time of Maria Theresa. The Field Marshal Princess Werdenberg and her lover, the young Count Octavian, are disturbed after a night of love by a coarse relative of the Princess, Baron Ochs auf Lerchenau. Before he enters the room uninvited, Octavian can disguise himself as a maid. Ochs asks the field marshal to recommend a nobleman for his marriage to a wealthy young commoner who, according to old custom, can present the bride with a silver rose on the wedding day. While Ochs tries to flirt with the supposed maid, the field marshal names Octavian as Rosenkavalier. When Octavian finally gives the bride Sophie the rose, the two cannot keep their eyes off each other. But Ochs insists on the fulfillment of the marriage contract. In the guise of the maid, Octavian lures him into a tavern in order to put him in a compromising position. The field marshal realizes that she has lost the young man and resigns herself to her fate.

English

Voorstellingscredits (Cast & Productieteam )

Cast

Productieteam

Ensemble