Name: De Falla: Noches En Los Jardines De España
Start: 2023-01-28T00:00:00.000Z
End: 2023-01-29T00:00:00.000Z
Location: L'Auditori

Organization

Conductor

Ludovic Morlot

Pianist

Bertrand Chamayou

Singer

Soprano

Marta Mathéu

Mezzo-soprano

Anna Alàs i Jové

Orchestra

Orquesta Sinfónica de Barcelona y Nacional de Cataluña

Others

Cor de Noies de l'Orfeó Català

National Orchestra of Catalonia

L'Auditori

De Falla: Noches En Los Jardines De España

Barcelona

Spain

Sala 1 Pau Casals

De Falla: Noches En Los Jardines De España: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Baritone

Tenor

Bass

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

After a literal use of folk song in previous works, Noches en los jardines de España is the most brilliant work of Manuel de Falla's mature stage, from the same period as Siete canciones populares españolas or El amor brujo , a period that crystallizes in the sublimation of popular material and the recreation of an imaginary folklore. The Gardens of Spainde Santiago Rusiñol represent the creative origin of the score: in front, nature ordered by the human being; in the background, the wild and uncontrolled vision of this nature, all surrounded by an atmosphere of intimacy and mystery. Four nocturnes for piano in its beginnings, finally ended up being three pieces for piano and orchestra with an inexhaustible evocation of plastic images from the first garden (“En el Generalife”) about a dreamed Granada, which at the time only Falla knew through the work Granada, emotional guide by María Lejárraga.

Desire and death meet in La Demoiselle élue , written by Claude Debussy in full Wagnerian fervor, a cantata based on Dante Gabriel Rossetti's poem, which captures the evocative atmosphere of both the text and the homonymous oil.

Written in memory of a friend and admirer, and premiered by Eugène Ysaÿe and Joseph Hollman at a time of great recognition for her work, La muse et le poète (The Muse and the Poet) offers a magnificent example of the lyrical style and refined by Camille Saint-Saëns, which gives the soloists great expressive freedom.

Few piano concertos of the last hundred years enjoy the symbolic force of the Concerto for the Left Hand, one of Maurice Ravel's most comprehensive works, composed for the pianist Paul Wittgenstein, who had lost his right arm in the First World War .

English

Després d’un ús literal del cant popular en obres anteriors, Noches en los jardines de España és l’obra més brillant de l’etapa de maduresa de Manuel de Falla, de la mateixa època que Siete canciones populares españolas o El amor brujo, un període que cristal·litza en la sublimació del material popular i la recreació d’un folklore imaginari. Els Jardins d’Espanya de Santiago Rusiñol representen l’origen creatiu de la partitura: al davant, la naturalesa ordenada per l’ésser humà; al fons, la visió salvatge i descontrolada d’aquesta naturalesa, tot plegat envoltat d’una atmosfera d’intimitat i misteri. Quatre nocturns per a piano en els seus inicis, finalment van acabar sent tres peces per a piano i orquestra amb una inesgotable evocació d’imatges plàstiques des del primer jardí (“En el Generalife”) sobre una Granada somiada, que aleshores Falla només coneixia a través de l’obra Granada, guía emocional de María Lejárraga.

Desig i mort es donen cita a La Demoiselle élue, escrita per Claude Debussy en ple fervor wagnerià, una cantata sobre el poema de Dante Gabriel Rossetti, que recull l’atmosfera evocadora, tant del text com de l’oli homònims.

Escrita en memòria d’una amiga i admiradora, i estrenada per Eugène Ysaÿe i Joseph Hollman en un moment de gran reconeixement de la seva obra, La muse et le poète (La musa i el poeta) ofereix un magnífic exemple de l’estil líric i refinat de Camille Saint-Saëns, que dota els solistes d’una gran llibertat expressiva.

Pocs concerts per a piano dels últims cent anys gaudeixen de la força simbòlica del Concert per a la mà esquerra, una de les obres més rodones de Maurice Ravel, composta per al pianista Paul Wittgenstein, que havia perdut el braç dret a la Primera Guerra Mundial.

català

De Falla: Noches En Los Jardines De España by Various, Fra (2023/2023), Dirigent Ludovic Morlot, L'Auditori, Barcelona, Spain

Forestillingkreditter (Ensemble & produksjonsteam )

Cast

Mannskap

Ensemble

Program, Informasjon & Sammendrag

Bilder

Videre lesning

Forestillingsdatoer og spillesteder

Sted