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HNK Zagreb

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Kristina Grubiša

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Ana Trišler

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Andrea Lipej

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Marina Glavaš

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Orkestar Opere Hrvatskoga Narodnog Kazalista u Zagrebu

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Choir HNK Zagreb

SNG Opera in balet Ljubljana

Direzione d'orchestra

Philipp von Steinaecker

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Alessio Pizzech

Orchestra SNG Opera and Ballet Ljubljana

Opera Chorus SNG Opera in balet Ljubljana

Soprano

Darija Auguštan

Fiordiligi

Ana Dezman

Mezzosoprano

Nuška Drašček Rojko

Dorabella

Elena Dobravec

Baritono

Rok Bavčar

Guglielmo

Jaka Mihelač

Tenore

Bryan Lopez Gonzalez

Ferrando

Gregor Ravnik

Štefica Grasselli

Despina

Eva Černe

Basso

Saša Čano

Don Alfonso

Robert Vrčon

Scenografia

Andrea Stanisci

Luci

Valerio Tiberi

Direzione del coro

Zeljka Ulčnik Remic

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Alessio Rosatti

Assistant Conductor

Mojca Lavrenčič

Assistant Director

Matej Prevc

Mojca Bitenc

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Gregor Smukovič

Concertmaster

Gregor Traven

Assistant Lighting Designer

Aleksander Pešec

Language coaching

Marja Filipi Redžić

Loredana Colautti Cannarella

Così fan tutte

Lubiana

Slovenia

Così fan tutte Mozart

Public

Private

Sharan Allad

Approvato

Instrumentalist

Pianoforte

Violinista

Cellist

Violista

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hornist

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Bassoonist

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Saxophonist

Harpsichordist

Accordionist

Bassist

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Lutenist

Tenor Violinist

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Baroque Flutist

Baroque Oboist

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Archlutenist

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Alto

Continuo

Z zadnjo treh velikih »Da Ponte oper« zaključujemo cikel Mozartovih opernih mojstrovin. Na našem odru smo v zadnjih desetih letih že uprizorili operi Figarova svatba ter Don Giovanni.

Mozartova opera, njen slovenski prevod bi se glasil Vse so take, je zadnja v vrsti Mozartovih oper, ki jih je ustvaril v sodelovanju z libretistom Lorenzom da Pontejem in spada med skladateljeva kontroverzna dela. Zaradi svojega ciničnega in satiričnega pogleda na odnose med moškimi in ženskami je v času nastanka veljala za tvegano in prostaško. A zgodba o dveh moških, ki želita preveriti zvestobo svojih izbrank, je nastala po naročilu cesarja Jožefa II. Ta naj bi slišal za podobno zgodbo, ki se je dogodila na Dunaju v krogu aristokratskih oficirjev. Libreto je našel svojega zagovornika tudi v romantiku Ernstu Theodorju Amadeusu Hoffmanu, ki ga je označil za «izraz najzabavnejše ironije«.

Delo odraža Mozartov pozni slog, glasba slika zadržanost in ravnovesje, v komedijski zaplet pa vnaša tudi čustveno globino. Kot je značilno za vse njegove večje opere, je Mozart tudi za Così fan tutte razvil poseben slog s svojevrstnim ironičnim humorjem. Posebnost je tudi prevlada ansambelskih odsekov nad arijami, saj se komedija ne dogaja med posamezniki, ampak med tremi skupinami: obema dekletoma, njunima zaročencema ter pobudnikoma komedije Alfonsom in Despino.

Opera je bila premierno uprizorjena 26. januarja 1790 na Dunaju, a je zaradi smrti cesarja doživela le štiri ponovitve, zatem so v znamenju žalovanja zaprli vsa gledališča.
Na ljubljanskem odru jo je občinstvo lahko videlo že v sezoni 1796/1797, zadnja premierna uprizoritev na našem odru pa se je zgodila 17. aprila leta 1991 v režiji Vita Tauferja.

slovenščina

We will conclude the cycle of Mozart's operatic masterpieces with the last of the three great »Da Ponte« operas – during the past ten years, we have already presented on our stage The Marriage of Figaro and Don Giovanni.

Mozart's opera Cozì fan tutte, translated literally as So Do They All, is the last in the series of operas, which the composer created in collaboration with the librettist Lorenzo da Ponte, and belongs among his most controversial works. At the time of its creation, it was considered risky and vulgar, mainly due to its cynical and satirical view of the relationship between men and women. But the story of two men who decided to test the fidelity of their chosen ones was created by the commission of Emperor Joseph II, who was said to have heard of a similar story in Vienna in the circle of aristocratic officers. The libretto was also defended by the romantic Ernest Theodor Amadeus Hoffman, who labelled it as »an expression of the funniest irony.«

The piece reflects Mozart's late style; the music portrays restraint and balance, while bringing emotional depth to the comedic plot. As characteristic of all his great operas, Mozart also developed a specific style for Così fan tutte, featuring a unique ironic humour. Also notable in the opera is the predominance of ensemble sections over arias, as the comedy takes place rather than between individuals, between three groups: the two girls, their fiancés and the initiators of the comedy, Alfonso and Despina.

The opera premiered on 26th January 1790 in Vienna, but due to the death of the Emperor, it only saw four repeat performances, after which all the theatres were closed as a sign of mourning.
The audience could see it in Ljubljana already in the 1796/1797 season, and the last premiere on our stage took place on 17th April 1991, directed by Vito Taufer.

This time, Così fan tutte will come to life at the SNG Opera in balet in a co-production with the Croatian National Theatre Zagreb, directed by Alessio Pizzech.

English

Così fan tutte by Mozart, Da (2024/2024), Diretto da Alessio Pizzech,, Direttore d'orchestra Philipp von Steinaecker, SNG, Lubiana, Slovenia

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