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HNK Zagreb

Assistant Stage Director

Kristina Grubiša

Assistant Costume Designer

Ana Trišler

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Andrea Lipej

Tolk

Marina Glavaš

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Orkestar Opere Hrvatskoga Narodnog Kazalista u Zagrebu

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Choir HNK Zagreb

SNG Opera in balet Ljubljana

Dirigent

Philipp von Steinaecker

Regissör

Alessio Pizzech

Orchestra SNG Opera and Ballet Ljubljana

Opera Chorus SNG Opera in balet Ljubljana

Soprano

Darija Auguštan

Fiordiligi

Ana Dezman

Mezzo-soprano

Nuška Drašček Rojko

Dorabella

Elena Dobravec

Baritone

Rok Bavčar

Guglielmo

Jaka Mihelač

Tenor

Bryan Lopez Gonzalez

Ferrando

Gregor Ravnik

Štefica Grasselli

Despina

Eva Černe

Bass

Saša Čano

Don Alfonso

Robert Vrčon

Scenograf

Andrea Stanisci

Ljus designer

Valerio Tiberi

Körledare

Zeljka Ulčnik Remic

Kostym designer

Alessio Rosatti

Assistant Conductor

Mojca Lavrenčič

Assistant Director

Matej Prevc

Mojca Bitenc

Paintings

Gregor Smukovič

Concertmaster

Gregor Traven

Assistant Lighting Designer

Aleksander Pešec

Language coaching

Marja Filipi Redžić

Loredana Colautti Cannarella

Così fan tutte

Ljubljana

Slovenien

Così fan tutte Mozart

Public

Private

Sharan Allad

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompositör

Librettist

Koreograf

Dansare

Skådespelare

Video designer

Dramaturg

Ljud designer

Repetitör

Sminkartist

Exekutiv producent

Hårstylist

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Stage Manager

Kör

Orkester

Poet

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Wig & Makeup Designer

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Extra

contralto

Singer

Bass-baritone

Countertenor

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Child vocalist

Silent

Alto

Continuo

Z zadnjo treh velikih »Da Ponte oper« zaključujemo cikel Mozartovih opernih mojstrovin. Na našem odru smo v zadnjih desetih letih že uprizorili operi Figarova svatba ter Don Giovanni.

Mozartova opera, njen slovenski prevod bi se glasil Vse so take, je zadnja v vrsti Mozartovih oper, ki jih je ustvaril v sodelovanju z libretistom Lorenzom da Pontejem in spada med skladateljeva kontroverzna dela. Zaradi svojega ciničnega in satiričnega pogleda na odnose med moškimi in ženskami je v času nastanka veljala za tvegano in prostaško. A zgodba o dveh moških, ki želita preveriti zvestobo svojih izbrank, je nastala po naročilu cesarja Jožefa II. Ta naj bi slišal za podobno zgodbo, ki se je dogodila na Dunaju v krogu aristokratskih oficirjev. Libreto je našel svojega zagovornika tudi v romantiku Ernstu Theodorju Amadeusu Hoffmanu, ki ga je označil za «izraz najzabavnejše ironije«.

Delo odraža Mozartov pozni slog, glasba slika zadržanost in ravnovesje, v komedijski zaplet pa vnaša tudi čustveno globino. Kot je značilno za vse njegove večje opere, je Mozart tudi za Così fan tutte razvil poseben slog s svojevrstnim ironičnim humorjem. Posebnost je tudi prevlada ansambelskih odsekov nad arijami, saj se komedija ne dogaja med posamezniki, ampak med tremi skupinami: obema dekletoma, njunima zaročencema ter pobudnikoma komedije Alfonsom in Despino.

Opera je bila premierno uprizorjena 26. januarja 1790 na Dunaju, a je zaradi smrti cesarja doživela le štiri ponovitve, zatem so v znamenju žalovanja zaprli vsa gledališča.
Na ljubljanskem odru jo je občinstvo lahko videlo že v sezoni 1796/1797, zadnja premierna uprizoritev na našem odru pa se je zgodila 17. aprila leta 1991 v režiji Vita Tauferja.

slovenščina

We will conclude the cycle of Mozart's operatic masterpieces with the last of the three great »Da Ponte« operas – during the past ten years, we have already presented on our stage The Marriage of Figaro and Don Giovanni.

Mozart's opera Cozì fan tutte, translated literally as So Do They All, is the last in the series of operas, which the composer created in collaboration with the librettist Lorenzo da Ponte, and belongs among his most controversial works. At the time of its creation, it was considered risky and vulgar, mainly due to its cynical and satirical view of the relationship between men and women. But the story of two men who decided to test the fidelity of their chosen ones was created by the commission of Emperor Joseph II, who was said to have heard of a similar story in Vienna in the circle of aristocratic officers. The libretto was also defended by the romantic Ernest Theodor Amadeus Hoffman, who labelled it as »an expression of the funniest irony.«

The piece reflects Mozart's late style; the music portrays restraint and balance, while bringing emotional depth to the comedic plot. As characteristic of all his great operas, Mozart also developed a specific style for Così fan tutte, featuring a unique ironic humour. Also notable in the opera is the predominance of ensemble sections over arias, as the comedy takes place rather than between individuals, between three groups: the two girls, their fiancés and the initiators of the comedy, Alfonso and Despina.

The opera premiered on 26th January 1790 in Vienna, but due to the death of the Emperor, it only saw four repeat performances, after which all the theatres were closed as a sign of mourning.
The audience could see it in Ljubljana already in the 1796/1797 season, and the last premiere on our stage took place on 17th April 1991, directed by Vito Taufer.

This time, Così fan tutte will come to life at the SNG Opera in balet in a co-production with the Croatian National Theatre Zagreb, directed by Alessio Pizzech.

English

Così fan tutte by Mozart, Från (2024/2024), Regisserad av Alessio Pizzech,, Dirigent Philipp von Steinaecker, SNG, Ljubljana, Slovenien

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