Organization

Cantante

Mezzosoprano

Ljubica Vraneš

Carmen

Tenor

Oscar Marín

Don José

Soprano

Corina Koller

Micäela

Barítono

Neven Crnić

Escamillo

Bajo

Jacques-Greg Belobo

Zuñiga

Tina Drole

Mercédès

Eddie Mofokeng

Le Dancaïre

Ian Spinetti

Le Remendado

Wolfgang Resch

Moralès

Director(a) de escena

Dominik Wilgenbus

Director(a) orquestal

Johannes Wildner

Diseñador(a) de vestuario/Figurinista

Gerlinde Höglhammer

Escenógrafo(a)

Asim Dzino

Director(a) coral

David Ricardo Salazar

Oper Burg Gars

Producer

Gars am Kamp

Austria

Burg Gars

Carmen Bizet

Private

Public

Válido

Neven Crnić (Escamillo)

With his opera CARMEN, Georges Bizet crossed boundaries in several ways: a scandalous female figure like the spirited gypsy, who defends her freedom at all costs and only plays with the love of men, had not been seen in an opera until 1875. Carmen represents a clearly sensual position, she only enters into relationships on the basis of independence and equality - a clear contradiction to the bourgeois morality of the time. The depicted milieu of workers and petty criminals also brought completely new social classes to the venerable opera stage. All of this caused such an offense at the premiere that the opera failed the audience. But the provocation turned inexorably into a fascination after Bizet's untimely death a few months later, which made CARMEN one of the most performed operas in the world to this day. The Habanera of Carmen or the Torero song of Escamillo are among the most famous melodies in music history.

English

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo

Coproductor