Name: Camerata Salzburg
Start: 2022-07-26T00:00:00.000Z
End: 2022-07-26T00:00:00.000Z
Location: Festspielhaus

Organization

Tiroler Festspiele Erl

Дирижер

Titus Engel

Певец

Меццо-сопрано

Zanda Švēde

Orchestra

Camerata Salzburg

Others

Chor der Tiroler Festspiele Erl

Weinzierl bei Krems

Австрия

Festspielhaus

CAMERATA SALZBURG I: Concert Various

Public

Концерт

Одобрено

Accordionist

Инструменталист

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Chorus Director

Extra

Illustrator

Orchestra Operations

Photographer

Poet

Stage Manager

Wig & Makeup Designer

Writer

Writing and performance

Видеодизайнер

Драматический актер

Драматург

Другой

Звукорежиссер

Исполнительный продюсер

Композитор

Либреттист

Оркестр

Парикмахер

Педагог по вокалу

Педагог-репетитор

Переводчик

Преподаватель

Режиссер-постановщик

Танцовщик

Трансляция

Хор

Хореограф

Хормейстер

Художник по гриму

Художник по костюмам

Художник по свету

Художник-постановщик

Баритон

Тенор

Контратенор

Бас

Сопрано

Контральто

Бас-баритон

Alto

Continuo

Детский голос

Разговорная роль

"They were sonatas, more veiled symphonies," wrote Robert Schumann about the piano improvisations
of the young Johannes Brahms, prophesying "even more wonderful glimpses into the mysteries of the spirit world" when Brahms "lowered his magic wand where the powers of the masses seemed to him." , in chorus and orchestra, lend their powers". Brahms redeemed what Schumann raved about: he lifted the symphonic veil with the composition of four orchestral symphonies and also bundled the vocal and orchestral forces in symphonic choral works. It is these choral-orchestral works that complete the Brahms symphony and also his understanding of human existence, which resonates abstractly in the symphonies, and his attitude to life in the texts set to music by poets such as
Making Goethe, Schiller and Hölderlin concretely comprehensible. It is precisely this overall view that the Swiss conductor Titus Engel, the Camerata Salzburg and the choir of the Tyrolean Festival Erl open up with their cycle, in which the four symphonies are supplemented by four of the symphonic choral works. In the first concert, Symphony No. 1 is introduced by the alto rhapsody in the same key of C minor for soloist, male choir and orchestra based on stanzas from Goethe’s “Harzreise im Winter” and “Nänie” for mixed choir and orchestra based on an elegy by Schiller

English

Camerata Salzburg by Various, С (2022/2022), Дирижёр Titus Engel, Festspielhaus, Weinzierl bei Krems, Австрия

Участие в выступлениях (Исполнители и постановщики )

Исполнители

Ансамбль

Программа, информация и краткий обзор

Фото

Для дальнейшего чтения

Даты выступлений и площадки

Площадки