Name: Beethoven, Schumann and Dvořák
Start: 2024-04-28T00:00:00.000Z
End: 2024-04-28T00:00:00.000Z
Location: South Bank Centre

Organization

Admin

Philharmonia Orchestra

Southbank Centre

Orchestra

Instrumentalist

Jean-Guihen Queyras

Cello

Conductor

Masaaki Suzuki

Beethoven, Schumann and Dvořák

London

United Kingdom

Royal Festival Hall

Beethoven, Schumann and Dvořák: Egmont, op. 84 Beethoven (+2 More)

Public

Egmont, op. 84

Cello concerto

Symphony no. 6 op.60, B.112, in D major

Approved

South Bank Centre

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Bass-baritone

Mezzo-soprano

Bass

Tenor

Soprano

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Dvořák’s radiant Symphony No. 6 is far less frequently performed than his later symphonies (the Philharmonia last played it in 2008), and a rewarding work to get to know. With a nod to Beethoven and Brahms to keep his Viennese audience happy, Dvořák lets his Czech identity shine through in snatches of folk song, and the headlong three-against-two rhythm of the third movement furiant.

Beethoven’s Egmont overture brims over with heroism. It was written for a play by Goethe, who praised Beethoven’s ‘remarkable genius’ in expressing the themes of his drama in music.

It paves the way for Schumann’s Cello Concerto, considered one of the great cello works of the Romantic era. The challenge for the soloist is to make sure this demanding music sounds lyrical and serene – no problem at all for ‘compelling’ (The Strad) cellist Jean-Guihen Queyras.

English

Beethoven, Schumann and Dvořák by Beethoven, Schumann, Dvořák, Alkaen (2024/2024), Musiikinjohto Masaaki Suzuki, South Bank Centre, London, United Kingdom

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