Name: Beethoven och Pejacevic
Start: 2025-01-29T00:00:00.000Z
End: 2025-01-29T00:00:00.000Z
Location: Konserthuset (Stockholm Concert Hall)

Admin

Konserthuset Stockholm

Conductor

Jiří Rožeň

Orchestra

Royal Stockholm Philharmonic Orchestra

Beethoven och Pejacevic

Stockholm

Sweden

Konserthus

Stora salen

Public

Concert

Oratorio / Orchestral

Symphony in F-sharp Minor, op. 41

Egmont, op. 84

Sharan Allad

Approved

Konserthuset (Stockholm Concert Hall)

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Tenor

Singer

Baritone

Soprano

Mezzo-soprano

Countertenor

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Beethoven was drawn to figures, fictional or real, who dared to stand up against injustices. Egmont in Goethe's drama of the same name was one such fictional but clearly influential figure for Beethoven. In the overture, he summarizes the drama, from the slow introduction through tragedy to a triumphant conclusion.

The orchestra is led by the young and increasingly renowned Czech conductor Jirí Rozen, who is making his debut with the Royal Stockholm Philharmonic Orchestra.

In Dora Pejacevic's music, traces of Wagner, Brahms, and Bruckner can be found, but it is also strongly personal with rich colors and profound seriousness. After a cautious, slow introduction, the contrastive and determined music of this symphony from 1918 unfolds, painting vivid natural scenes. The music also contains exuberant pirouettes that are swept away by dazzling outbursts towards the end. It is an impressive work by a composer who was long neglected.

English

Beethoven drogs till gestalter, fiktiva eller verkliga, som vågade stå upp mot orättvisor. Egmont i Goethes drama med samma namn var en sådan fiktiv men för Beethoven tydlig förebild. I uvertyren summerar han dramat, från den långsamma introduktionen genom tragedi till ett triumfartat slut.

Orkestern leds av den unge och alltmer uppmärksammade tjeckiske dirigenten Jirí Rozen, som här gör sin debut med Kungliga Filharmonikerna.

I Dora Pejacevic musik finns spår av Wagner, Brahms och Bruckner, men den är samtidigt starkt personlig med rika färger och ett djuplodande allvar. Efter en försiktig, långsam inledning över den här symfonin från 1918 i kontrastrik och bestämd musik, där starka naturscenerier målas upp. I musiken hörs även sprudlande piruetter som mot slutet sveps bort av blixtrande urladdningar. Det är ett imponerande verk av en tonsättare som länge försummades.

svenska

Beethoven och Pejacevic by Pejačević, Beethoven, Fra (2025/2025), Dirigent Jiří Rožeň, Konserthuset (Stockholm Concert Hall), Stockholm, Sweden

Forestillingkreditter (Ensemble & produksjonsteam )

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