Name: Aurora
Start: 2024-09-24T00:00:00.000Z
End: 2024-10-01T00:00:00.000Z
Location: Teatro Colón

Organization

Admin

Teatro Colón

Stage director

Betty Gambartes

Set designer

Graciela Galán

Costume designer

Singer

Daniela Tabernig

Aurora

Fermín Prieto

Mariano

Hernán Iturralde

Don Ignacio

Alejandro Spies

Raimondo

Santiago Martinez

Bonifacio

Cristian Maldonado

Don Lucas

Orchestra

Orquesta Estable del Teatro Colón

Others

Coro Estable del Teatro Colón

Chorus master

Miguel Martínez

Conductor

Ulises Maino

Buenos Aires

Argentina

Aurora Panizza, H.

Public

Sharan Allad

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Countertenor

Bass-baritone

Contralto

Baritone

Tenor

Soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Aurora, compuesta por Héctor Panizza con libreto de Luigi Illica –el mismo de La Bohème, Tosca, Madama Butterfly y Andrea Chénier– es, además de una gran ópera italiana del romanticismo –de hecho fue estrenada en Buenos Aires en ese idioma– una obra de poderoso simbolismo. Tal como su título anuncia, hay allí una alusión al nacimiento, al comienzo de algo nuevo, imposible de soslayar. Su tema, con el trasfondo de una historia de amor contrariado, cuenta una aurora, la de la independencia americana. Pero, además, fue estrenada en la temporada inaugural del edificio actual del Teatro Colón, en 1908. Director del estreno de Turandot en su versión completada por Alfano, y de Francesca de Rimini, entre muchas obras de comienzos del siglo XX, asistente de Toscanini y autor de otras tres óperas, Ettore Panizza (así se lo conocía en Italia) había nacido en Buenos Aires y su primer maestro fue su padre, un cellista de la orquesta del viejo Colón. Para el libreto de Aurora, Illica contó con la colaboración del argentino Héctor Cipriano Quesada, y la versión en castellano –traducida por Josué Quesada y Ángel Petittaf en 1943– fue estrenada en 1945, durante el gobierno de facto del General Edelmiro Farrell y con la presencia de su vicepresidente, el Coronel Juan Domingo Perón. El aria de tenor del final del segundo acto, en que el protagonista canta a la vez a su amada (Aurora, la hija del jefe realista) y a la “aurora que surge en el cielo de la patria”, fue convertida ese año, por decreto, en canción escolar obligatoria.

español

Aurora, composed by Héctor Panizza with a libretto by Luigi Illica – the same as La Bohème, Tosca, Madama Butterfly and Andrea Chénier – is, in addition to being a great Italian romantic opera – in fact it was premiered in Buenos Aires in that language – a work of powerful symbolism. As its title announces, there is an allusion to the birth, to the beginning of something new, impossible to avoid. Its theme, against the background of a story of disaffected love, tells of a dawn, that of American independence. But, in addition, it was premiered in the inaugural season of the current building of the Teatro Colón, in 1908. Director of the premiere of Turandot in its version completed by Alfano, and of Francesca de Rimini, among many works from the beginning of the 20th century, Toscanini's assistant and author of three other operas, Ettore Panizza (as he was known in Italy) was born in Buenos Aires and his first teacher was his father, a cellist in the old Columbus orchestra. For the libretto of Aurora, Illica had the collaboration of the Argentine Héctor Cipriano Quesada, and the Spanish version – translated by Josué Quesada and Ángel Petittaf in 1943 – was premiered in 1945, during the de facto government of General Edelmiro Farrell and with the presence of his vice president, Colonel Juan Domingo Perón. The tenor aria at the end of the second act, in which the protagonist sings both to his beloved (Aurora, the royalist chief's daughter) and to the “aurora that arises in the sky of the country,” was converted that year, by decree, in mandatory school song.

English

Aurora by Panizza, H., Frá (2024/2024), Leikstýrt af Betty Gambartes,, Hljómsveitarstjóri Ulises Maino, Teatro Colón, Buenos Aires, Argentina

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