Organization

Direzione d'orchestra

Codruţ Bîrsan

Regia

Joshua Miller

Assistant Director

Thea Wigglesworth

Assistant Conductor

Shun Yao

Resident Coach

Curtis Serafin

Cantante

Soprano

Sarah Sims

Lady Billows

Alexandra Wiebe

Carol Anne Osborne

Miss Wordsworth

Cassandra Dixon

Baritono

Gordon Blodgett

Mr. Gedge

Tenore

Kyle Cortés

Mr. Upfold

Simon-Charles Tremblay-Béchard

Basso

Justin Ramm-Damron

Sovrintendente Budd

Johan Hartman

Colin Safley

Max Wolf

Jason Gonzalez Larsen

Albert Herring

Mezzosoprano

Molly Clementz

Nancy

Jenna Clark

Lauren Anderson Bustami

Mrs. Herring

Kirsten Nordland

Runyu Feng

Contralto

Lauren Ingebrigtsen

Florence Pike

Lauren Randolph

Chicago Summer Opera

inglese

Albert Herring -  (Albert Aringa)

Albert Herring Britten

Public

Albert Aringa

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Controtenore

Alto

Continuo

Mimi

Narrazione

Voce bianca

​It’s spring of 1900 in the town of Loxford, where Lady Billows has proposed a revival of the May Day festival. To combat immorality in the town’s young population, a May Queen will be crowned as an example of virtue. However, Florence Pike, Lady Billows’s put-upon housekeeper, is aware of all the town scandals. As each young woman is nominated by the committee, Florence reveals that none meet Lady Billows’s exacting standards. Aware of at least one model of virtue in the town, Superintendent Budd suggests an innovative solution: the town’s first May King. The lucky man? Albert Herring, a timid and socially awkward fellow controlled by an oppressive, teetotaling mother. Lady Billows agrees, eager to teach the promiscuous girls of the town a lesson, and the committee ventures forth to inform Albert of the honor.
At the Herrings’ shop, ladies’ man Sid pokes fun at Albert before being joined by his girlfriend Nancy. Sid and Nancy’s flirtations make Albert uncomfortable and jealous as he reflects on his loneliness. When the committee arrives to announce that virtuous Albert will be crowned May King, he strongly objects, but his mother overrules after learning of the cash prize.
On the day of the festival, Sid and Nancy conspire to play a prank on Albert, hoping to loosen him up. Their plan works, but upon overhearing Sid and Nancy talking that evening, Albert is sharply reminded that he remains an object of pity. Albert resolves to enjoy one night of adventure and debauchery in defiance of the town’s expectations, leading to the opera’s hilarious conclusion.
Following The Rape of Lucretia, Britten sought the tonal shift of a comic opera. His longtime librettist, Eric Crozier, suggested a Suffolk-based adaptation of Guy de Maupassant’s novella, Le Rosier de Madame Husson. Thus, Albert Herring was born and premiered at Glyndebourne in 1947.

English

Albert Aringa by Britten, Da (2021/2021), Diretto da Joshua Miller,, Direttore d'orchestra Codruţ Bîrsan

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