Name: Aida
Start: 2022-10-11T00:00:00.000Z
End: 2022-10-11T00:00:00.000Z
Location: Teatro Cervantes

Organization

Conductor

Michele Mariotti

Stage director

Lotte de Beer

Bass

Soloman Howard

The King of Egypt

Mezzo-soprano

Ksenia Dudnikova

Amneris

Soprano

Sondra Radvanovsky

Aida

Tenor

Jonas Kaufmann

Radames

Dmitry Belosselskiy

Ramfis

Baritone

Ludovic Tézier

Amonasro

Alessandro Liberatore

A messenger

Roberta Mantegna

A high priestess

Teatro Cervantes Malaga

Others

Chœur de l’Opéra national de Paris

Orchestra

Paris Opera Orchestra

itāļu

Málaga

Spain

Teatro Cervantes

Aida Verdi

Public

spāņu

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Singer

Bass-baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Performed for the first time at the Cairo Opera in 1871 to celebrate the opening of the Suez Canal, Aida takes us to the fantasy of a reconstructed Antiquity. The plot revolves around the impossible choice between love and patriotic duty: a captive Ethiopian princess and an Egyptian soldier betray their people, defy a powerful rival and band together until death. The opera contains several of the composer’s favourite themes. Longing for the lost homeland, liberation through death, the contrast between a disheartening present and one idealised elsewhere, the suffocating scope of religious and political power… All of these controlling factors in a world conceived as a trap.
For the debut at the National Opera of Paris, the Dutch stage designer Lotte de Beer chose to bring a critical vision to the European representation of the colonised people, making us question the relationship between the aesthetic productions of the past and the present.

English

Aida by Verdi, No (2022/2022), Režisēja Lotte de Beer,, Diriģents Michele Mariotti, Teatro Cervantes, Málaga, Spain

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