Name: A Woman like Chilled Champagne
Start: 2000-02-29T00:00:00.000Z
End: 2000-02-29T00:00:00.000Z
Location: Kulttuurikeskus Stoa

Organization

Singer

Ulla Raiskio

Mezzo-soprano

Stage director

Jukka Kajava

Lighting designer

Ilkka Volanen

Set designer

Jyrki Seppä

Pianist

Kristian Attila

Suomalainen Kamariooppera

A Woman like Chilled Champagne

Helsinki

Finland

Kulttuurikeskus Stoa

A Woman like Chilled Champagne Kuusisto,I

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Bass

Tenor

Bass-baritone

Baritone

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

The starting point of the opera “Woman as Frozen Champagne” is a monologue play dramatized by Aino Piirola based on the diaries of Aino Kallas.


Aino Kallas' last residence was the Säde Hoito- ja Toipilaskoti in Eira, where she moved in the autumn of 1954. The opera begins and ends there. However, the events of the opera follow the author's diary entries from 1899 onwards until the paths of Aino Kallas and Eino Leino parted. 

Recurring topics in the diaries are death, “we have been condemned to it since we were born,” and love “I miss perfect, great love.” The fact that it was most important for Aino Kallas to grow into a significant artist conveys intact from the fragmentary entries in the diaries. The pursuit of this goal is so absolute that even heavy contradictions are not avoided. 

Aino Kallas' feelings are strong and she defiantly unleashes them. "If I could have bought a harmonious marriage, I wouldn't have done it at the cost of my spiritual development." On the other hand, he clearly senses the dangers of his path: "I hear the cries of my beloved behind me, I see a forest fire in front of me, and I fly towards it like a fly into a flame."

English

A Woman like Chilled Champagne by Kuusisto, I., Od (2000/2000), Režie Jukka Kajava,, Kulttuurikeskus Stoa, Helsinki, Finland

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény