Name: 3. Akademiekonzert: Thomas Guggeis
Start: 2025-01-11T00:00:00.000Z
End: 2025-01-12T00:00:00.000Z
Location: Nationaltheater

Organization

Admin

Bayerische Staatsoper

Conductor

Thomas Guggeis

Orchestra

Bayerisches Staatsorchester

Singer

Aigul Akhmetshina

Voice

3. Akademiekonzert: Thomas Guggeis

Munich

Germany

Nationaltheater

Public

Concert

The Fair Melusine, op. 32

The Poem of Love and the Sea

The Mermaid

Sushant Karmakar

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Tenor

Baritone

Countertenor

Mezzo-soprano

Bass-baritone

Soprano

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Der junge Dirigent Thomas Guggeis, nach sensationellem Einspringen für seinen Mentor Daniel Barenboim in Berlin inzwischen Generalmusikdirektor der Oper Frankfurt, gibt sein „akademisches“ Debüt beim Bayerischen Staatsorchester und stellt dabei eine symphonische Rarität vor: Alexander Zemlinskys Fantasie für Orchester Die Seejungfrau (nach Hans Christian Andersens Märchen), 1905 unter Leitung des Komponisten in Wien uraufgeführt. In der klangmächtigen Schilderung des Schicksals der Seejungfrau spiegelt sich die unglückliche Beziehung des Komponisten zu seiner Schülerin Alma Schindler, die ihn nach einer leidenschaftlichen Affäre für Gustav Mahler verlassen hatte. Vielleicht aufgrund dieser persönlichen Hintergrundes zog Zemlinsky das Werk zurück; es galt als verschollen und blieb fast siebzig Jahre unaufgeführt. Mendelssohns Ouvertüre zur Schönen Melusine berührt ebenso die Sphäre der Wasserwesen und erzählt von einer nahen Verwandten der Seejungfrau. Auch Aigul Akhmetshina singt vom Werden und Vergehen der Liebe: Ernest Chaussons Poème de l’amour et de la mer op. 19 verknüpft die Geschichte einer Liebesbeziehung mit der Stimmung am Meer.

Deutsch

The young conductor Thomas Guggeis, having sensationally jumped in for his mentor Daniel Barenboim in Berlin and now the General Music Director at the Oper Frankfurt, makes his “academic” debut with the Bayerisches Staatsorchester and presents us a symphonic rarity. Alexander Zemlinsky’s Fantasia for Orchestra, Die Seejungfrau (The Mermaid – based on Hans Christian Andersen’s fairytale), conducted by the composer at its 1905 world premiere in Vienna. The composer’s unhappy relationship with his pupil Alma Schindler, who after a passionate affair left him for Gustav Mahler, is reflected in this powerfully sonorous portrayal of the mermaid’s fate. Perhaps because of this personal background, Zemlinsky decided not to perform the piece. It was thought to be lost and was not performed for almost seventy years. Mendelssohn’s Overture to the Fair Melusine is also based on the world of water spirits and tells the story of a close relative of the mermaid. Aigul Akhmetshina also sings of the coming and going of love. Ernest Chausson’s Poème de l’amour et de la mer op. 19 links the story of a love affair with the atmosphere of the sea.

English

3. Akademiekonzert: Thomas Guggeis by Mendelssohn, Chausson, Von Zemlinsky, Od (2025/2025), Dirigent Thomas Guggeis, Nationaltheater, Munich, Germany

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