Name: 2. Philharmonisches Konzert
Start: 2024-10-20T00:00:00.000Z
End: 2024-10-21T00:00:00.000Z
Location: Elbphilharmonie

Admin

Conductor

Andrey Boreyko

Orchestra

Philharmonic State Orchestra Hamburg

Staatsoper Hamburg

Elbphilharmonie & Laeiszhalle Hamburg

2. Philharmonisches Konzert

Hamburg

Germany

Elbphilharmonie

Grosser Saal

2. Philharmonisches Konzert: Fantastické Scherzo, op.25 Suk, J. (+2 More)

Public

Concert

Oratorio / Orchestral

Fantastické Scherzo, Op.25

Divertimento from The Fairy's Kiss

Symphony No. 4

Larissa Andrea Pereira

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

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Trumpeter

Contrabassist

Harper

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Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

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Choir

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Illustrator

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Soprano

Singer

Mezzo-soprano

Tenor

Baritone

Countertenor

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Mit Dirigent Andrey Boreyko richten wir die Ohren gen Osten aus. Der Tscheche Josef Suk, Schüler und Schwiegersohn von Antonín Dvořák, schuf mit seinem fantastischen Scherzo ein Orchesterwerk, das betont lebhaft daherkommt – und dem folgenden Divertimento aus Strawinskys Ballett „Der Kuss der Fee“ an Ausdruckskraft in nichts nachsteht.
Als Peter Tschaikowsky seine vierte Symphonie, eine der bekanntesten aus seiner Feder, schrieb, erlebte er tiefdunkle Zeiten. (Unglückliche Ehe, Nervenzusammenbruch, Selbstmordversuch – die Biografen malen düstere Szenen ...) Entsprechend klingt das Programm, das er dieser Vierten selbst beigab: In den ersten Takten sei die „Schicksalsgewalt“ zu hören. Dieses „Fatum“, so Tschaikowsky, kontrolliere uns beständig, so dass Glück und Friede niemals vollkommen würden. „Man muss sich ihm unterwerfen und seine Zuflucht in vergeblichen Sehnsüchten suchen.“ Nach „einem Schwarm von Erinnerungen“ und wilden Pizzicati der Streicher im berühmten dritten Satz kommt Tschaikowsky zu dem Schluss: „Wenn Sie in sich selbst keinen Anlass zur Glückseligkeit finden, blicken Sie auf andere.“ Das Leben sei letztlich „doch zu ertragen“ – sofern wir uns wie im Symphoniefinale einer „Volksbelustigung an einem Feiertag“ zuwenden.

Deutsch

With conductor Andrey Boreyko, we turn our ears to the East. With his fantastic Scherzo, the Czech Josef Suk, pupil and son-in-law of Antonín Dvořák, created an orchestral work that is emphatically lively - and in no way inferior to the following Divertimento from Stravinsky's ballet "The Fairy's Kiss" in terms of expressiveness.
When Peter Tchaikovsky wrote his Fourth Symphony, one of his best-known works, he was going through dark times. (Unhappy marriage, nervous breakdown, suicide attempt - the biographers paint dark scenes ...) The programme that he himself added to this Fourth sounds accordingly: The "force of fate" can be heard in the opening bars. According to Tchaikovsky, this "fate" constantly controls us, so that happiness and peace are never perfect. "One must submit to it and seek refuge in futile desires." After "a swarm of memories" and wild pizzicati from the strings in the famous third movement, Tchaikovsky comes to the conclusion: "If you find no cause for happiness in yourself, look to others." Life is ultimately "bearable after all" - as long as we turn to a "public amusement on a holiday", as in the symphony finale.

English

2. Philharmonisches Konzert by Suk, J., Stravinsky, Tchaikovsky, P. I., Frá (2024/2024), Hljómsveitarstjóri Andrey Boreyko, Elbphilharmonie, Hamburg, Germany

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Dagskrá, Um & Yfirlit

Ljósmyndir

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