Name: Così fan tutte
Start: 2024-03-15T00:00:00.000Z
End: 2024-06-22T00:00:00.000Z
Location: Moniuszko Auditorium

Organization

Direzione d'orchestra

Yaroslav Shemet

Regia

Wojciech Faruga

Scenografia

Katarzyna Borkowska

Costumi

Luci

Direzione del coro

Mirosław Janowski

Cantante

Soprano

Aleksandra Orlowska

Fiordiligi

Mezzosoprano

Zuzanna Nalewajek

Dorabella

Tenore

Łukasz Baltazar Kózka

Ferrando

Baritono

Hubert Zapiór

Guglielmo

Basso

Artur Janda

Don Alfonso

Teatr Wielki - Opera Narodowa

Orchestra

Orchestra of the Polish National Opera

Others

Chorus of the Polish National Opera

Anna Malesza-Kutny

Despina

Magdalena Stefaniak

Pavlo Tolstoy

italiano

Così fan tutte

Varsavia

Polonia

Moniuszko Auditorium

Così fan tutte Mozart

Public

polacco

inglese

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballerino/a

Chorus Director

Composizione

Coreografia

Coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Fotografia

Illustrator

Insegnante

Libretto

Maestro accompagnatore

Orchestra Operations

Parrucco

Poeta

Produzione esecutiva

Recitazione

Scrittura

Scrittura ed esecuzione

Sound designer

Stage Manager

Traduzione

Trucco

Video

Wig & Makeup Designer

Contralto

Controtenore

Basso-baritono

Alto

Continuo

Mimi

Narrazione

Voce bianca

The growing interest in Weinberg, a fascinating composer tapping into Polish, Jewish, and Russian culture, means that his music, which up until recently was mainly confined to recordings and philharmonic concerts, is making its way into theatre programmes. While his operatic pieces have already gained considerable recognition (a good point in case is the memorable Passenger shown on our stage for a few seasons), now the time has come to shine a light on Weinberg’s ballet, The Golden Key.

Every child knows the tale of Pinocchio, a wooden puppet that becomes a real boy. While the character was originally conceived by Carlo Collodi, it is important to note that every era has its version of the story. Weinberg’s ballet is based on a reworking of the original tale, Alexei Tolstoy’s book Buratino. Tolstoy, a distant cousin of the famous writer, drew heavily on Collodi yet took the liberty of making some far-reaching changes to the plot.

Weinberg’s ballet is inspired by commedia dell’arte: burattino is Italian for ‘marionette’ and the name of a character of those improvised comedies. In the early 20th century, Igor Stravinsky chose a closely connected protagonist for his Petrushka. While his work was intended for adult audiences, Weinberg’s piece was meant for children, despite including allusions to the oppressive Soviet realities that only grown-ups could infer. The ballet was written between 1954 and 1955; the revised version was composed between 1961 and 1962. You can sense the spirit of Dimitri Shostakovich in The Golden Key: while Weinberg was friends with the composer, his ballet music is thoroughly original. It is a vibrant, multicoloured story full of humour, lyricism, and references to popular dances (waltz, tarantella).

Drawing inspiration from Collodi, Anna Hop weaves an original story fit for the modern age. One thing remains the same: the universal message about the hardships of growing up. The production is also a wonderful opportunity to showcase the magic of stagecraft as we follow the fairy tale adventures of a boy who roams different worlds to eventually return home and face his past.  

Pinocchio is a family ballet: greatly enjoyed by children and admired by grown-ups. All thanks to Weinberg’s playful music, the beauty of dance, the magic of  theatrical imagery, and the deeply meaningful story about the triumph of vulnerability over violence, the pursuit of freedom, and the necessity to sometimes lose one’s way in to grow as a person.

English

Così fan tutte by Mozart, Da (2024/2024), Diretto da Wojciech Faruga,, Direttore d'orchestra Yaroslav Shemet, Moniuszko Auditorium, Varsavia, Polonia

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Team creativo

Ensemble

Programma, informazioni e sinossi

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